Short stories have always been elusive to me. Despite the countless number that I wrote in my late teens and early twenties, I never finished writing even one of them. Although there wasn’t a name for it back then, I was basically writing flash fiction, though purely for my own enjoyment. Apparently, though, nothing I wrote interested me enough to finish it.

At age nineteen, I had 150 pages of a novel added to my repertoire of incomplete stories. Stories, novels—it didn’t matter: I was an equal opportunity non-finisher.

As I later learned through introspection, it was a combined fear of success and failure that kept me from finishing my work, coupled with the age-old issue of having no idea where I was going with my many WIPs. Eventually, I resolved the reasons for my unproductiveness, and with those fears no longer holding me back, I began to write. In the early days, I wrote four screenplays (still collecting dust somewhere) and two plays. Years later, my deep desire to be a novelist was liberated. I began writing books—and finishing those, too.

I first wrote three standalone novels in different genres (Crooked Moon; Squalor, New Mexico, & Molly Hacker Is Too Picky!), and then began a YA paranormal trilogy, The Desert Series. Mind you, I was still a short-story virgin. I never even thought about popping the short story cherry.

Short stories were alien beings to me. They really were.

I didn't have time-revise

The above quote, which is attributed to Mark Twain, has been attributed to others as well. I’m not sure who said it or even if Twain did. But what I do know is that it packs a whole lot of truth.

It’s usually much easier to ramble on than it is to take an idea and express it in few words. Plus, there are still so many novels in my head waiting to be written, and I couldn’t grasp the concept of having an idea that could be … dare I say it … a short story! (Rather ironic coming from someone has tweeted every day since 2009.)

So how did I lose my short-story virginity?

It was after I finished edits for the first book in my YA paranormal trilogy, Mystical High, and was writing book 2, Desert Star, that I found myself longing to write without any language restraints. It was time to release the pent-up literary fiction writer in me. I quietly did the deed, then gave birth to my first short story, and then to another. (I’m slowly putting together a collection for some time down the road.)

When fellow author Maria Savva asked me to write two short stories for the Triptychs, the third book in The Mind’s Eye series, I was eager to join my fellow authors in being a contributor for this fascinating anthology.


In the first two books of the series, Reflections and Perspectives, each author wrote a short story inspired by a unique photograph. In Triptychs, the same photo was given to three different writers who were asked to write a short story or poem inspired by the image. Authors were neither able to choose the photos nor given any information to jumpstart their imagination.

The title Triptychs-revise

But when I was given these two photographs, although pretty, they’re not ones that I would have chosen to inspire me to write a story. I really had to think outside of “the box.” I had to find a flicker of something in these photos that resonated with me so that I could build a story I felt passionate about telling.

This exercise fascinated me because for years, I had considered writing stories centered around famous paintings, especially some by Edward Hopper. For example, this is Edward Hopper’s, A Room in New York, one of the many paintings I thought would be a great starting point for a story or a novel.

Screen Shot 2015-02-10 at 9.28.20 PM

I have been imagining stories in my head for a lifetime, but I have always done so when looking at photos, paintings, people, cities, or just about anything that inspires me. Never before had I written stories based on what someone else felt passionate about. The challenge of writing these stories for Triptychs really stretched my imagination in new and extraordinary directions.

It’s interesting, too, that while viewing one of the photographs, it took me about a minute to conceive the story “I Wish…”

Sunset(Credit: Helle Gade)

When viewing the second photograph, however, my story, “May Twenty-Fourth,” took weeks. Creativity is endlessly fascinating, don’t you think?

SONY DSC(Credit: Martin David Porter)

Triptychs is now available at a pre-order price of .99 until the book is published on March 16, 2015.

Amazon U.S.

Amazon U.K.

The other contributors to the book include:

Eden Baylee

Ben Ditmars

Jay Finn

Helle Gade

Darcia Helle

Jason McIntyre

Marc Nash

Martin David Porter

Julie Elizabeth Powell

J. Michael Radcliffe

Maria Savva

Geoffrey West





  1. I’m so happy you joined us, Lisette! I haven’t had time to read your stories yet (or many of the others in the book!), but am really looking forward to them! 🙂 I hope this will be a start of something great for you and that you’ll go on to write lots more short stories!! xx

    • Thank you so very much, Maria.

      I truly appreciate you thinking of me and asking me to join this project. It was quite a challenge for this long-form writer!

      I’m looking forward to reading your stories, too. Right now, I’m reading and enjoying your book, Coincidences.

  2. What a terrific post, Lisette! Wonderful insight into your beginnings as a short story writer and as a writer overall.

    That Edward Hopper painting is mesmerizing. Great choice, and I love his work too. Saw an exhibit of it several years back. Few can paint shadows and light as well as he did.

    I think you did a great job with the pictures for Triptychs. As a longtime fan of shorts and someone who finds them easier to write than longer pieces, you did the perfect thing by honing in on that ‘something.’ It could be a memory spark, a color, a feeling, but whatever it is, you created two excellent pieces!

    I’m thrilled to be part of a joint writing venture with you. And I LOVED your stories!


    • Thank you, Eden! I appreciate your very kind thoughts so very much.

      I would so love to have seen a Hopper exhibit. I have seen his work in museums, but not during a particular show.

      And I send the kind words right back to you when I say that it has been an honor to be in this project with you, and I truly LOVED your stories as well.


  3. Your posts always manage to engage me, Lisette, especially because I know you’ll take me inward, share your insight. Now that the time is finally here, I’m excited about this new writing adventure in which you are a participant! I am looking forward to reading your two stories and adding them to my collection of LB books. From the list of contributors, it seems you’re in great company and there will be other fascinating stories to read.

    • Thank you, Dody! Your support of my work has really meant more to me than I could adequately express. I appreciate it so much, and I hope you know I’m a big fan of your work, too!

  4. Lisette! Thoroughly enjoyed your blog post. You never cease to amaze me my dear friend. You really do blow my mind with your talents. Well done!

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