Millie Thom is a former geography and history teacher with a particular passion for the Anglo-Saxon and Viking period. She is the mother of six grown up children and lives near Lincoln in the U.K. Since retiring, Millie has written four books: the first three in her Sons of Kings historical fiction series, and a book of 85 flash fiction pieces and very short stories. Millie hopes to publish the fourth and last book in her series early in 2020.

Time to chat with Millie!

What is your latest book?

The last book I published was Wyvern of Wessex, the third book in my historical fiction series, Sons of Kings. It was published over a year ago and I’m feeling quite guilty at not having the fourth and final book in the series finished by now. Unfortunately, health issues in the family (including my own) have slowed me down, but I hope to have Book 4, King of the Anglo Saxons, published early in 2020.

The four books tell the story of King Alfred of Wessex – known as Alfred the Great in later centuries. Shadow of the Raven, Book 1 in the series, starts soon after Alfred’s birth and most of the events take place while he is still a child. This allowed me to focus more on my second protagonist, the fictional eleven-year-old son of real-life King Beorhtwulf of Mercia. Eadwulf’s story unfolds very differently to Alfred’s following his capture by raiding Danes and his future years as a thrall (slave) in the Danish lands.

In Book 2, Pit of Vipers, the focus is more on Alfred, although Eadwulf’s story also progresses significantly.

Wyvern of Wessex highlights difficult times for both characters and takes them through the storm to a period of relative peace. Initially, I intended to end the series at this point, but half way through Book 3, I decided to take the story to the end of Alfred’s life in order to show the full extent of his achievements. So, what I had intended to be a trilogy, simply became a series (or perhaps a quadrilogy!).

What challenges have you found in writing a series?

The biggest problem I’ve found with this particular series stems from the fact that I have two protagonists – one real-life, the other fictional. In telling Alfred’s story I need to make sure I keep to the historical timeline. Changing the dates of historical events is a definite no-no. Consequently, I also need to ensure that events in Eadwulf’s life ‘fit in’ with that timeline, especially as the two characters are linked by relationships within their families.

Other than that, there are the usual problems of keeping details consistent throughout the four books, even simple things like the ages and appearances of characters, and even their names. It wouldn’t do to have brown-eyed woman from one book suddenly becoming blue-eyed in the next. The changing appearance of characters and places over the years is something else I need to consider, especially as the series covers a period of fifty years.

Do you write under a pen name? If so, can you tell us why?

Millie Thom is a pen name, chosen because they are the names of my parents, Millie and Thomas who, sadly, passed away some years before I had the chance to start writing. My own name is actually Patricia, which I chose not to use as my author name simply because my married surname is just too boring! Naturally, my husband disagrees.

How did you choose the genre you write in? Or did it choose you?

The answer to that is probably a bit of both. I’ve always loved history – any time period, any location – so, in a way, choosing to write historical fiction was a natural progression. Even many of my flash fiction pieces in A Dash of Flash have historical settings. The genre chose me because it was one of the subjects I taught throughout my teaching career, so I simply became more and more immersed in it over the years.

Some authors, like me, always write scenes in order. But I know some people write scenes out of order. How about you?

Yes, I’m definitely a scene-by-scene author. I need to keep the chronology of the book intact so writing scenes from various parts of the book wouldn’t work for me. I tend to plan out events to be covered with their dates and so forth, and set out to work through them. However, it’s never as simple as that. Sometimes, characters lead me in unexpected directions as I write. If I’d written scenes from later in the book, I’m pretty sure I’d spend a lot of time modifying them due to ‘things’ that just seemed to have happened as I’d sunk into each scene.

Some writers edit excessively as they write; others wait until a novel is finished to do the bulk of the editing. How about you?

Despite all the advice about getting the story out in the first draft, I have to say that I do edit as I go along and tend to re-read the last section I wrote every time I start writing. I wouldn’t be happy thinking I might have left obvious errors in the text or glaring grammatical errors. As well as helping me to spot any typos – which I make a lot of –re-reading helps to get the story refocused in my head so I’m ready to move on.

How important is the choosing of character names to you? Have you ever decided on a name and then changed it because it wasn’t right for the character?

When writing historical fiction, authors are often confined to names in general usage at that time period. It would be ridiculous to call a young woman in Tudor England, Kylie, or Mercedes, for instance. As my series is set in the Anglo-Saxon period, many of my characters’ names are very different to those we recognise today. Many people of noble birth have names that begin with the prefix, ‘Aethel’, which simply means noble. Alfred’s father, for example, is called Aethelwulf, meaning Noble Wolf. Alfred’s four brothers and sister also have names beginning with Aethel – Aethelbald, for instance.

Names like these are certainly not easy on the eye or the tongue, and I’ve had a few reviewers say they found the names confusing. Unfortunately, as they are real, historical names, I can’t change them, but I do intend to add a pronunciation guide to all four books once the final one is ready for publication.

So many things influence the choice of character names, another being geographical location. In a novel set in India, we would expect at least some traditional Indian names. In contemporary novels, I’m sure many names are chosen to suit the personalities of the characters although, perhaps, giving a character a name totally at odds with his/her character could have an interesting effect.

How much time do you spend doing research for your books?

I’ve spent many months – probably years! – doing research for my series. When I first started to write about King Alfred, I knew little about him, other than the general idea that he stopped the Vikings from taking his kingdom and that he burnt a peasant woman’s cakes! Anglo Saxon and Viking history was rarely taught in schools years ago. We tended to leap from the Roman Empire to the Norman Conquest and leave the parts labelled the ‘Dark Ages’ between them alone. I happily delved into research, and had some fabulous ‘research holidays’ in the process. Apart from museums and sites in the U.K., we also went to Denmark doing the same, and had a wonderful trip to Andalusia in southern Spain as part of my research for Wyvern of Wessex.

I record and photograph anything I think might be of use, including details of buildings, landscapes and associated wildlife and vegetation. When I write, I’m careful to describe how these would have looked in the 9th century. To talk about horse chestnut trees or rabbits at that time, for instance, would be dreadful. It’s also important not to flood the book with irrelevant description that does not move the story along.

Do you allow others to read your work in progress, or do you keep it a secret until you’ve finished your first draft? Can you elaborate?

I don’t see the need for anyone else to read my books until they’re finished and have been edited, both by me and the professional editor I use. I often discuss scenes I’ve just written with friends and family and that helps me to think them through again myself. I’d hate anyone to read a really rubbishy piece of writing! Perhaps I’m just over-sensitive in this respect. But, hey, we’re all different, aren’t we?

Do you write anything besides novels? Care to share?

Yes, I also write flash fiction. I started writing it on my blog in 2015 and soon became addicted to it. I accumulated quite a lot of stories and in 2016, I published A Dash of Flash, an eclectic mix of eighty-five flash fiction pieces ranging from one hundred to a thousand words, although most are around two hundred words. Many are on my blog, but I wrote over twenty just for the book and roughly two-thirds are accompanied by colourful images from Shutterstock or Pixabay. I haven’t written any this past year, but I intend to return to it when my current WIP is published.

We all know the old saying; you can’t judge a book by its cover. This is true. However, how much importance do you place on your book cover design?

I think the cover of a book needs to be eye-catching and give an idea of the genre, time period and an overall ‘feel’ of what the book is about. From what I’ve seen of people browsing around bookstores, most of them do (initially at least) judge a book by its cover! I wouldn’t know where to start with designing a cover image and have used a professional designer for the four books I’ve written so far. In general, I’m pleased with what he’s produced, although I was initially a little unsure about Eadwulf’s face on the cover of Shadow of the Raven (Book 1). The hair is the right colour but I can’t quite take to that nose… Lol

A lot of authors are frustrated by readers who don’t understand how important reviews are? What would you say to a reader who doesn’t think his or her review matters?

Reviews mean so much to most authors, including me, primarily as a means of letting us know what people think of our work. Nice, positive reviews can really spur us on with future projects, but it’s also important to treat negative ones as being helpful rather than damning. If a few reviewers find fault with a particular character or aspect of the story, perhaps we should look more closely at the issue in question and consider whether they could be right. Having said that, it’s important not to take individual criticisms to heart and just accept that not everyone is going to love our book!

Reviews are also a way of helping prospective readers to decide whether the book would appeal to them. After all, most of us are influenced by other people’s opinions. Unfortunately, many readers don’t bother to review at all, which is a shame. It doesn’t take long to write a short review, and just a sentence or two can be enough if time is an issue. However, I’ve seen some quite offensive reviews on Amazon, such as, Don’t bother with this one, it’s rubbish, and A five-year old could have written a better story. Comments like that aren’t helpful to either authors of possible readers and I can only wonder why some people feel the need to be so unpleasant.

What genre have you never written in that you’d like to try?

I’d love to write a murder mystery but it would still have to have an historical setting – and that isn’t just because I’m a history lover. I read a lot of contemporary crime novels and love them, but writing one would be a different matter. I have to confess I know zilch about police procedure, forensics or pathology, or even legal issues and court cases. So, a murder (or four, as in Midsomer Murders!) set in the past, would suit me much better. It would still involve a lot of research but it wouldn’t be as hard as delving into 21st century scientific methods of solving crimes.

Where do you live now? If you had to move to another city/state/country, where might that be?

We’ve been living midway between Newark and Lincoln in Nottinghamshire, UK, since our six children were young, and as all but one are still living in this area, I can’t see us moving away in the near future. I have to say, it’s ideally situated for travelling to most areas of the UK by either road or rail, and we have plenty of airports relatively close by. Lincoln’s a lovely old city, and holds a fabulous Christmas Market every year.

I often have yearnings to live in the Highlands of Scotland. The mountains and lochs are simply magnificent and instil a sense of calm in me. I suppose we’ll just have to be content with taking regular holidays up there.

What’s your favorite comfort food? Least favorite food?

I have lots of comfort foods and most of them are very calorific. Ice cream is a summer favourite, but I also love (and bake) cakes of all types. I adore Cadbury’s chocolate, but try not to eat it too often, but I give in rather a lot to salted snacks like crisps (US chips) and nuts, especially cashews. My least favourite food is shellfish of any type! Yuk.

What makes you angry?

Any form of cruelty, whether to other people or animals, makes me livid – cruelty to children particularly so.

What music soothes your soul?

Celtic music is my favourite at the end of a long and tiring day. Its hauntingly beautiful melodies and vocals conjure up visions of ancient mountains and forests, with tinkling streams winding between them. Perfect harmony and calm.

What might we be surprised to know about you?

 I’m very short – little over five foot nowadays. I console myself in knowing that Queen Victoria was even shorter than me, and she proved to be a real Mighty Mouse! Unfortunately, Victoria and I differ in the fact that she had lots of money and I haven’t.









Guest post by Terry Tyler: Where do writers get their ideas?


Hello, Lisette and her readers―and thank you so much for stopping by on the blog tour for Hope!

Lisette gave me free rein on subject matter for this article … which always makes my mind go completely blank. Then, the other day, I found my topic quite by accident when a reader asked me this question: Where do you get your ideas from?

Writers are often asked this, by readers, or by new writers who are putting fingers to keys for the first time. I shy away when asked in person, as I was the other day, as I find talking about what I do quite difficult; I say something like, ‘I dunno, it just happens’. Writing about it, though, is so much easier.

The truth is that ideas come from all sorts of places. The easiest, for me, was The Devil You Know, which came from the title of another book: The Serial Killer’s Wife. I saw it during an Amazon browse, and thought, wow―what it would be like to fear that the monster in the newspapers was your husband, or your son, or friend? The plot, and even the title and some of the main characters, appeared in my head, just like that.

It’s rarely that easy, though, and Hope was one of those that took me a long time to pull together in my mind.

A subject that interests me greatly is how the our thoughts are influenced by the media, especially what we see on social media sites, and how attitudes follow trends, and can be cyclical. One day, out of the blue, I began to wonder if there would ever be a backlash against the way that ‘fat-shaming’ is now such a no-no. Instead of the Dove cosmetics ethos of ‘everyone is beautiful in their own way’, which was maybe a reaction to the ‘size zero’ fad of the noughties, I considered how today’s young women would react if―as was the case when I was a teenager―fashion shops sold no size higher than a 14 (US size 10), and if even this size 14 was inches smaller than it is now.

Then I thought: what if fat-shaming became the norm? Would people be considered unemployable if they were ‘plus-size’? Could this prejudice be used as a tool by government and employers, in a world only a decade into the future when so many jobs will be lost through increased automation? If many people were unable to find work, for this reason and that of the downturn in employment opportunities, how would they live?

I had the beginning of a plot!

My books are always totally character driven, so I needed an observer who would watch all this coming to fruition―and, in my future UK, who better than a popular blogger and social media influencer? Lita Stone arrived in my head fully formed, with even her name attached; it happens like that, sometimes. Next, she would need what she saw in the online world to start affecting her personally―enter the ‘plus-size’ flatmate.

I had a great deal of trouble with the first draft of the book; I’d let it head off in directions that weren’t working, and I nearly scrapped it at 50K words in, but a discussion with my husband helped to streamline the plot. He asked me these two questions: Who is the bad guy? What is the struggle? It was only when I worked this out that the book fell back on track. I’m so glad we had that talk, because I believe Hope to be one of my best books.

If you’re at any stage of your writing career and are about to abandon a book because it’s not working, try discussing it with someone, because it really can help―and if you’re not a writer but a reader, believe me: those plots sometimes arrive out of nowhere, but, more often than not, they take a hell of a lot of mulling over before they hit the page!

Thank you, Lisette, for inviting me to your blog. 🙂

Terry Tyler’s nineteenth published work is a psychological thriller set in a dystopian near future – the UK, Year 2028.

Blogger Lita Stone and journalist Nick Freer live and work online, seeing life through soundbites, news TV and social media. Keeping the outside world at bay in their cozy flat, they observe the ruthless activities of the new PM and his celebrity fitness guru wife, Mona (#MoMo), with the mild outrage that can be quelled simply by writing another blog post.

Meanwhile, in the outside world, multinational conglomerate Nutricorp is busy buying up supermarket chains, controlling the media, and financing the new compounds for the homeless: the Hope Villages.

Lita and Nick suspect little of the danger that awaits the unfortunate, until the outside world catches up with them – and Lita is forced to discover a strength she never knew she possessed.

About the Author

Terry Tyler is the author of nineteen books available from Amazon, the latest being Hope, a dystopian psychological drama set in the UK, a decade into the future. She is currently at work on Blackthorn, a post-apocalyptic stand-alone story set in her fictional city of the same name. Proud to be independently published, Terry is an avid reader and book reviewer, and a member of Rosie Amber’s Book Review Team.

Terry is a Walking Dead addict, and has a great interest in history, (particularly 14th-17th century), and sociological/cultural/anthropological stuff, generally. She loves South Park, Netflix, autumn and winter, and going for long walks in quiet places where there are lots of trees. She lives in the north east of England with her husband.






Author Page: Amazon UK

Author Page: Amazon



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LOVE, LOOK AWAY: The non-sequel to Molly Hacker Is Too Picky!


Greetings, friends:

I never imagined that I would write a romantic comedy. But in 2009, I published one, Molly Hacker Is Too Picky!, and believe it or not, I didn’t even think of it as a rom-com. Rather, I thought of it as a book that allowed me to flex my comedy-writing muscles. And here I am, having just published my second romantic comedy, Love, Look Away.

Humor has always been part of my work. Even when I’m writing what might be considered dark and heavy, comedy is usually lurking around the corner, waiting to jump in and stir things up. Conversely, when I’m writing comedy, darkness often lurks as well.

Molly Hacker Is Too Picky! features a 32-year-old woman, a newspaper journalist in her home town of Swansea, New York (fictional), who has given herself one year to find Mr. Right.

To introduce Molly to readers, about eight months before the book’s publication, I started an illustrated blog at Molly, the journalist, interviewed many creative people, but she also blogged about her own life, especially her dating life. The blog was tough to write, because I didn’t want to cover any topics that were in the novel or that in any way conflicted with the story.

As it turns out, Molly made lots of friends throughout the years. And the number one question from readers was almost always, “Are you going to write a sequel?” I always answered with a hard no. For one, Molly’s story had an ending and I had no idea where I could possibly take a sequel.

Additionally, while I had written a YA paranormal trilogy, The Desert Series, I didn’t want to write another series. I just wanted to write standalone novels that could be read in any order. Lastly, I didn’t expect I’d even write another rom-com.

But when I went to write my ninth book, after having written two literary fiction books in a row, Barrie Hill Reunion and Hotel Obscure: A Collection of Short Stories, I wasn’t ready to dive into my next idea. With everything going on in the world and my own state of being, it felt too burdensome for me. Like a lover of good food taking a spoonful of sorbet after each course of a gourmet meal, I needed a palate cleanser. And I needed to write more comedy.

So, I thought, while I’m not going to write a sequel about Molly’s life, why not write a new romantic comedy and set in the same town? Wouldn’t it be great to introduce brand-new characters, bring back Molly and a few others as supporting characters, and watch the fun begin? And that’s exactly what I did.

The heroine of Love, Look Away is 29-year-old Sage Gordon. Unlike Molly, a lover of designer clothes and Jimmy Choos, Sage prefers the Bohemian look and runs a metaphysical-themed gift shop, Sage Earth Gifts. Whereas Molly was always on the lookout for Mr. Right, Sage is on the “look away” from them.

As the book opens, Sage, after being burned five months prior by her fiancé, has no interest in meeting anyone. Aside from being hurt by the breakup, she’s never gotten over her childhood love, Jimmy Cole, who disappeared with his parents when Sage and he were both eleven years old. As a child, she always thought she’d marry him someday. As an adult, she knows he’s long gone. Nearly two decades have passed and there’s no trace. She wants to move on; but cannot deny that his disappearance not only haunts her but somehow keeps her from wanting to find someone new. She’s content to run her store, Sage Earth Gifts, and spend time with her dog, Rufus, her two cats, Finlay and Babaloo, and her friends and family. Do things become more complicated? Well of course they do!

Sage’s dog, Rufus

In Love, Look Away, Molly and her co-worker/best friend Randy, are friends of Sage’s. And, as in Molly Hacker Is Too Picky!, the town’s most visible socialite, Naomi Hall Benchley (The “She-Devil”), is still causing all kinds of trouble and sticking her nose where it doesn’t belong. Seriously … some people just have nothing better to do!

Maybe some Molly readers who choose to pick up Love, Look Away will indeed see the book as a sequel, though I’m certainly not calling it that. (For readers who haven’t read Molly, but may wish to, rest assured the ending is not given away in the new book.)

Maybe, if I ever write a third book set in Swansea, I’ll probably give in and call it a series.

Thanks for reading and helping me introduce Love, Look Away.

 All of my books are available in both paperback and Kindle editions. And for those who are members of Kindle Unlimited, you can ready any of my books for free.

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