Regina Puckett writes sweet, contemporary and Regency romance, horror, inspirational, steampunk, picture books and poetry. There are always several projects in various stages of completion and characters and stories waiting in the wings for their chance to finally get out of her head and onto paper.

Time to chat with Regina!

We all know the old saying; you can’t judge a book by its cover. This is true. However, how much importance do you place on your book cover design?

A good book cover is the first thing that attracts a reader to a book, so it’s extremely important to choose a good one. As a reader, it’s what I look at first. As a writer, I love looking through photos to find the perfect one for my books. I’ve even written a couple of my books because I found a photo I loved so much I knew it had to have its very own story.

Do you have complete control over your characters or do they ever control you?

All of my characters control me. I begin each book with a general idea of what the story is going to be about, and then I let my characters take me through each chapter until the end. I’ve tried having everything plotted out, but my characters always say or do something that changes the book’s direction. I’ve discovered that it is easier to let them have the control from the very beginning. It saves me from having a few headaches and loads of regret.

What is your latest book?

I Close My Eyes is my latest book and is my first attempt at writing a historical romance. Regency romance is the hardest genre I have ever tackled. It took so much research. I thought I could just jump in and begin writing, but before I could write the first line, I had to figure out the type of clothes my characters would wear and how they would address each other in conversation. I had never dealt with using titles before so I stayed baffled for nearly the entire book about when I should say The Duke or Lord Such and Such. Even after I figured that out, I still had to research a million other little things I had never had to think about before.

Fortunately, my editor was able to catch the gaffes I missed. Although I may have driven the poor man to drink by the end of the editing process, I’m pleased to say that even though my American ways didn’t mix well with English society, Clive agreed to edit the next book in the series, Closed Hearts. Book two should be ready for release by the 1st of June. At the moment I’m writing book three, Enclosed in this Heart. You never know, I may get good at this Regency thing yet.

What are the greatest challenges in writing short stories?

In a shorter story the biggest challenge is creating characters the readers can become invested in. If you can’t do that, then you’ve failed. The reader should want your characters to find their happy-every-after or for them to die that miserable death they so deserve. Making that happen is easier with a novel. A longer story offers plenty of opportunities for you to write the scenes that grab a reader’s heart. When writing a short story, it’s important to reveal your character’s good traits and flaws early on. Those are the things that people can relate to and make it feel as if your characters are real – breathing people.

Saying all of that, I’ve written several short stories and have discovered that they are easier to write than a full length novel. Over the years my attention span has shortened. I love wrapping it all up in a few days instead of the usual months it takes to write a novel.

There’s an ever-growing market for short stories. Time is so precious, so readers want something they can read in thirty minutes or less.

How did you choose the genre you write in? Or did it choose you?

 I write in several genres, so I guess I choose the genres instead of them choosing me. I like jumping out of my comfort zone and trying new styles of writing. It always starts out with the thought – I wonder if I can do that? Once that thought takes hold, I have to try. My first love was writing romance but I have discovered by trying new things that horror can be just as rewarding to write. It gives me a chance to take a peep at my dark side.

Are your characters ever based on people you know?

I’m a people watcher, so my characters are bits and pieces of everyone I’ve ever seen or met. A lot of me winds up in my books, because I know what makes me tick better than I do anyone else. My bad characters are based on everything I dislike about other people, and I take the chance that’s what other people dislike too.

What do you think some of the greatest misconceptions about indie authors are?

People assume indie authors aren’t good enough to be published by a traditional publisher. I’ve gone the traditional route but I like the freedom of making my own decisions. I can pick my own book covers and choose the best editor. It also gives me the freedom to switch back and forward between horror, romance, steampunk, poetry and children’s picture books at will.

Of course it, all comes at a price. Everything falls on my shoulders – paying for the book covers, editor and promotions. If I fail, I can’t blame anyone but myself. Some days it’s all a little overwhelming but it’s also very rewarding. I’m proud of everything I’ve accomplished.

How often do your characters surprise you by doing or saying something totally unexpected?

My characters surprise me all the time. In Songs that I Whisper, Suzette warned Bill to not to slip up and reveal to her mother that they had once been arrested. I’m like – what? It took me two weeks to figure out the reason for their arrest. It had to be something minor but bad enough to get the two of them hauled in by the police. It would have been so much easier to delete that entire conversation, but I thought it added an interesting morsel for the readers to savor.

What part of writing a novel do you enjoy the most? The least?

I like the beginning and the end. It’s always so much fun introducing new characters and I love the excitement of wrapping their story up. Writing the words the end means that once again I have won the battle. Everything in between those two things can be just plain old, hard work.

A longer piece keeps me in my characters heads for months. I feel every emotion they feel. That means that I’m happy when they’re happy and sad when they’re sad. I have to constantly think about how each person reacts to each and every situation. The process can be exhausting. There are nights I can’t sleep because my characters won’t shut up. Those conversations can be a curse and a blessing. I know when my characters are finally talking to each other that the book is going to be good. Unfortunately, all of that talking only means that I’m going to lose some much-needed sleep.

The truth is that I wouldn’t trade my life with anyone else.

Many times, I’ve actually dreamed plot twists, character names, and many other tidbits that I’ve need for my WIP. Has this ever happened to you?

The first book to be written because of a dream was Concealed in My Heart. I didn’t get up the next morning and write the book, but daydreamed about it for the next two years until the story got too big to stay in my head. The latest book to benefit from my going to sleep was A Man Called Rat. I was three fourths into writing the book when I realized the plot wasn’t going to work. I had been writing for months and it looked as if I might have to trash the whole project. Too disgusted to do anything else, I took a nap. When I woke up, I knew how to fix the hole in my plot. A dream didn’t necessarily help in that case, but resting my overworked brain did.

What are the most important traits you look for in a friend?

Someone I can trust.

What makes you angry?

I used to never get worked up about anything, but the older I get, the more things get on my nerves. I’m a little crankier and a whole more snappier than I used to be. I can just imagine that I’m going to be that crazy old lady who smacks you with her cane if you get too close.

What music soothes your soul?

 I enjoy listening to all types of music and love listening to it whenever I’m writing. I can be annoying though, because I usually play the same song over and over again. There’s nothing better than a sweet love song.

If you are a TV watcher, would you share the names of your favorite shows with us?

I have enjoyed watching NCIS since the beginning of the series, but this year a new show took over that top spot, Lethal Weapon. I’m ashamed to say that I also love all of the Housewives’ shows on Bravo. There’s nothing like a little of backstabbing and a lot of bickering to put your own life into perspective.



Amazon Author Page







Barnes & Noble










BRANDING: a guest blog by Ace Antonio Hall



Recently, I spoke at StokerCon at the Queen Mary in Long Beach and the Sisters-in-Crime conference in Sacramento, about developing your brand. There are some key elements into doing that. They include writing a strong bio, creating an interesting personality on social media, having a professional headshot of yourself, and mastering an overall tone that marries you with your books.


First, and foremost, it should be written in third person. I’ve seen many, and when I fist started wrote mine in first person, but when sending out to professional publications, and organizations, please, please, please, keep your biography in third person.

Secondly, the length of the bio is also important. In the age of hurry up and wait, our attention spans have shortened considerably. Most writers I’ve come across are the best skimmers in the world. It’s why my good friend, and President of the Greater Los Angeles Writers Society (GLAWS) always barks that writers don’t read. In itself, that’s a conundrum. We read to inhale, and write to exhale. The entire process of reading work, and then writing our own is how most writers breathe creativity.

A professional bio can be up to three paragraphs of four to five sentences each. However, most publishers and literary agents prefer one short paragraph in a query for them to review your work.

Just as the rule of thumb (before you master writing and can break the rules) is that you never, ever use adjectives and adverbs in your novels and short stories. That also applies for your bio. Gimmicks or adjectives about how incredible your story is, won’t impress, but rather turn off the reader of your bio.

If possible, include your achievements in one or two sentences, tops. Of course, if you’ve published in one or two major print publications, include that, but if there are many, then summarize your body of work in a sentence that best details it. Always include any awards your books or novels have won. Some authors like to keep a humorous tone to their biography, and that’s fine. Personally, I feel that if it reflects your writing, it’s appropriate. If not, subtly match the tone of your writing. Branding yourself means continuity.

Social Media

For this, I only have one rule: Never argue with anyone on social media. Additionally, when I had dinner with Larry Niven, Jerry Pournelle, and Robert J. Sawyer, a couple of months ago, Jerry said to me that its better to not talk about your books as much as keeping the focus on you. “The more interesting your life,” he said to me, “the more you can expect to sell books.” I try not to spam everyone with my work, but that’s a hard one. It’s why it’s truly better to do book and blog tours; the word of mouth is spread by others.

Professional Headshot

Please spend a few bucks at Sears (so sad, so many are closing) or hire a professional photographer at no more than $150, and get yourself a good headshot. I’m so tired of seeing writers’ photos of them on their websites and promotional swag of them in front of a garden with their cat, or somewhere where clearly, everyone knows he or she used their iPhone and a few Instagram filters to deliver that less-than-professional picture. Continuity is key so match the tone of your book with your look. This is branding. Even if you write about gardens and cats, get your pics done professionally. Writing is not only something you do, it’s your business. Invest time and money into your writing business and stamp your brand on the world.


Ace Antonio Hall (born July 4th, 1966) is an American urban fantasy and horror writer. He is best known as the creator of Sylva Slasher, a teenage zombie slasher who also raises the dead for police investigations, which includes novels and short story collections. He was born in New York, but grew up in Jacksonville, Florida with his grandmother, Sula G. Wells. He is the youngest son of artist and jazz songwriter, Christopher Hall and RN Alice Hall (Thomas). A former Director of Education for NYC schools and the Sylvan Learning Center, Hall earned a BFA from Long Island University. While teaching English, he studied to be a certified ACE personal trainer with the Equinox Fitness Club one summer, but never pursued it professionally. Hall currently lives in Los Angeles with his bonsai named Bonnie.

Just published:

Amazon: Lord of the Flies: Fitness for Writers





Why Isn’t My Book Selling?!?

Authors are prone to what I like to call Extra Special Writer Freak Outs.

It’s understandable. People have only been LYING to us all of our lives. (Trust me, I’m a fairytale writer, I know all about carefully crafted falsehoods.) The problem is that few successful authors take the time to debunk the myths about book publishing.

So my darlings, that’s where I come in. I’m a second-time author and a full-time educator and it will be MY pleasure to share the Dirty Dark Secrets of the publishing process with you. The following is for a) newbie authors, or b) those who are completely delusional about the publishing process, like I was.

Dirty Dark Secret 1: Success is a direct result of hard work. Gone are the days when publishing ONE book resulted in instant popularity and millions of dollars. (Okay, unless you’re really, really lucky.) Most writers only become successful after they have produced and released a number of books. Much like childbirth, birthing your novel is just the beginning of the process.

Quite simply, if you’re not doing anything your novel probably isn’t either.

Dirty Dark Secret 2: Most of the marketing and promotion will fall to you. We’ve all heard of elaborate book tours and publishing houses using their immense influence to promote books. But big publishing houses are highly selective in the books they accept for publication. And if current trends continue, even traditionally published authors will be responsible for the lion’s share of marketing, sales, and book promotion.

If tackling marketing and promotion seems daunting, just remember than indie authors do all it the time. You will survive!

Dirty Dark Secret 3: The learning curve is pretty steep. Marketing isn’t easy. Add sales and book promotion to that and you may be ready to hug your laptop to your chest while rocking and crying at the same time. But no one’s book deserves to sit in the dark. (Okay, some people’s books deserve to sit in the dark. Possibly forever.) If you can afford it, there are people out there who will handle marketing and promotion for you. But if you’re like me, your marketing budget is pretty slim. However, if you’re brave enough (and/or stubborn enough) to educate yourself, you can conquer anything.

Whether you have lots, little, or no experience, there are plenty of resources out there to help you. Put those big brains to work!

Dirty Dark Secret 4: Connection is key. Most writers tend to be introverts. News flash, that won’t fly if you want people to know about your books. Pull up your big girl/boy pants, put on your best smile, and prep that book blurb, baby! Then kindly and respectfully connect with bloggers, readers, reviewers, shopkeepers, and librarians both online and in person.

Building a support group will take time. Be genuine and be prepared to swap favors.

The Dirty Dark Secrets revealed above may come as a blow to anyone who has big dreams of publishing. Especially if you have no solid plans to back them up.

This is the moment when I should tell you something inspirational, like:

The future belongs to those who believe in the beauty of their dreams.

—Eleanor Roosevelt

But I’m not going to do that. Because if dreaming what you want, you’d better go back to bed and let the rest of us get on with it.

Instead of reciting pleasant platitudes, I’m going to remind you of the following:

You are a WRITER. You make up entire worlds and paint them so vividly that others can live in them as well. And you’ll do it over and over and over again until your mind or your body grows too weak to continue. Don’t be afraid of hard work. There are as many amazing vistas before you as there are behind you.

And hey, I don’t know about you, but I’m in this for the long haul. If I can do it, you can too.

About the author:

Sarah E. Boucher is a lover of fairy stories, romance, anything BBC and Marvel, and really, really cute shoes. On weekdays she wears respectable shoes and serves as Miss B., the Queen of Kindergarten. On school holidays she writes stories about romance and adventure. And wears impractical super cute shoes.

Sarah is a graduate of Brigham Young University. She lives and works in northern Utah. Her novels include Becoming Beauty and Midnight Sisters. Visit Sarah at or connect with her on TwitterFacebook, or Instagram.