CHAT WITH PAULA SLADE

Paula Slade, alumnus of Wisdom Bridge Theater, Players Workshop Second City and NBC-TV’s Daytime Writers Program, began her career as on-air announcer/reporter for radio station, WEFM, Chicago. She has served as head of the Literary Department Savage Agency, Hollywood, and developed radio and television programming for Blair Entertainment, New York. Paula’s acting credits include everything from Lady Macbeth on stage, to General Hospital on television. Today, she serves as VP/Creative Director and Audiobook Narrator for ARTISTIC MEDIA ASSOCIATES, INC. in the greater Boston area.

Time to chat with Paula!

Writers know how much effort it takes to get a book out (developing ideas, researching, writing, rewriting, editing, etc.), but most of us probably don’t know a lot about the process of turning our words into an audiobook. Can you tell us?

 The first step is to start listening to audiobooks, preferably in the genre you write. There are audiobook memberships from sites such as Audible, Playster, Audiobooks.Com and others, which offer trial programs and are good bargains. Or, check with your local library system. These days, libraries are increasingly following the public’s demand for audio, and it’s a free and easy way to become familiar with the general marketplace. An added benefit to your listening is that you’ll be aware of pacing and narration of different genres of books, and what works. Also, listen to book previews, which are free on Amazon.com and Audible.com, and check out ratings and comments. By doing this type of research and comparisons of styles, the process of selecting a narrator will be less daunting.

There is another excellent place to add to your knowledge base before taking the plunge into audio: Audiobook Creation Exchange, also known as ACX.com. On their website you will find a wealth of information geared toward authors as well as narrators and producers. I suggest you familiarize yourself with both sides of the fence, which will give you tremendous insight into the entire process. And, once you grasp the initial information on ACX,’s site check out their informative videos from ACX University, which are on YouTube.

How do authors go about finding a narrator and choosing the one best suited to their books? What is the average number of words you read for an audition?

 ACX.com is a good place to start your search. When you get to their web page, click on search (top of page/right side) then press on “Producers for Hire.” You’ll be taken to another page and in the section marked “Filters” (on the left side of the page) you’ll be able to request multiple narration requirements such as Book Genre, Narrator Gender, Language Spoken, Accent, Voice Age, Vocal Style and even Payment Preferences. Once you make your search selection(s), narrator names will populate the page, and when you click on any of the display arrows attached to the name you’ll hear a preview of the narrator’s voice. If you want to hear more samples of their work, just click on the narrator’s name and you’ll be taken to their specific ACX page, which will give you additional samples and tell you more about the narrator including a bio, credits, and pricing.

As far as the number of words in an audition, that is a rather dicey question. More often than not, authors who are new to audiobooks ask for extremely long auditions. (Personally, I consider anything over one thousand words too long.) Keep in mind, that as a rule of thumb, shorter is better. For a typical audition select excerpt(s) that are either critical to your book’s pacing, or character voices in dialogue that require significant interactions. Trust me on the audition length, as oftentimes you’ll know the best voice for your project in under a minute.

One of the first questions authors have about turning their work into e-books is cost. No surprise. Can you talk about the different options authors have when it comes to compensating the narrator?

There is flexibility here. Prices vary from straight Royalty Share on ACX to $1,000 per finished hour. Variances occur because of the narrator’s experience in acting or audio production and whether they are union or non-union.

For non-union narrators without previous recording or acting experience rates could very from straight Royalty Share to $50 to $100 PFH (per finished hour), or a combination of both if a stipend is involved.

For an experienced union performer who has expertise with foreign accents, character voices or a familiarity with medical terminology they will command a higher rate (anywhere from $200 to $1,000 PFH). Also, some narrators utilize audio engineers to perform editing and mastering, which is built into their fee and allows them to solely concentrate on their narration and acting. All of these factors play into the rate offered by the narrator.

Although royalty share is a popular choice and requested by authors, consider the following: To make it viable for all concerned, know that narrators will be taking many factors into consideration such as your Amazon Overall Sellers Rank (anything 100,000 or below is a good place to be); the number of customer reviews and the reviews themselves of the print or e-version of your book; your book’s cover art – does it draw the listener in?; the need for a strong social media and website presence, and finally be willing to share your royalties for a seven year period with your narrator. On ACX, you and your narrator will be splitting royalties 60-40 with Amazon/Audible, which will leave you and your narrator sharing 20-20 of overall sales. Also know, that unless you are an established well-selling author, many narrators will make PFH paid bookings a priority in their schedule so there may be a wait time before taking on your project.

A quick method of determining what you might expect to pay for your audiobook production vs. Royalty Share, is to figure that one hour of narration translates to approximately 9,400 spoken words per finished hour, which is the average rate determined by ACX. So, if your manuscript is 50,000 written words from title to closing credits, your audiobook would translate to nine hours and 32 minutes total. You would then take the narrator’s requested rate (let’s say a union person at $275 PFH, (price includes pre-production read-thru, author and producer consultations, studio recording time with engineer, as well as editing and mastering).

With all that in mind, your finished audiobook would be $2,563.00. That may sound pricey at first glance but bear in mind that it takes at least six hours to produce one finished hour of an audiobook. Roughly, speaking about 57 hours of work is performed in order to provide a 50,000 written word audiobook.

Are there certain genres of books that you prefer to narrate? Are there books that you won’t narrate?

I personally enjoy non-fiction as I always get to learn something new. But, a riveting horror, paranormal, mystery or sweet romance will always grab my attention! Erotica is the only genre I do not record.

How do you handle books with many characters, especially when there are many in one scene?

Before I get in front of the microphone, a complete read-through of the book is done in order to get a feel for each character voice as well as the narrator, if the book is in third person. Along the way, I make notes as to the character’s physical attributes and vocal/speech pattern as it is written by the author. During that process all characters are given a specific highlighted color on the text so that when I’m in the booth and recording, I am able to switch personas without stopping. I also note any specific delivery such as “he whispered,” or “she said snidely” etc.

If a particular book would be enhanced by ambient music in the background, whether it is horror, suspense, romance, adventure, etc., how does this work? Is there music in the public domain for such purposes? Are you able to add it?

Yes, to both questions.

There are many websites that offer royalty free use of music, but most require an initial payment in order to download.

However, one site in particular, Free Music Archive.org has a vast collection of music in many genres and is free to download. Each music track comes with specific licensing requirements depending on use. For some, there is no attribution needed under the Creative Commons License and for others attribution is required, which is added in your audiobook’s text and shared in the narration.

When you perform a search on Free Music Archive’s site and you find an appropriate piece of music, just click on the title and you will be taken to another page that will provide the licensing information.

A search for music selections by your narrator or narrator’s producer or engineer would be an extra expense that could be saved by DIY and sharing the information for production.

What do you do prior to narrating a book to ensure that pronunciations for all character names, places, etc. are correct?

When doing my initial read-through of a book I always make a list of names and places that include my phonetic ideas as to the pronunciations. After that is done, it goes off to the author for approval or corrections.

For text that requires specific terminology (medical and technical) I refer to Merriam Webster online and for variances in pronunciation (British vs. American English) I use the website Howjsay.

What are some of the common misconceptions about turning books into audio books? Any common mistakes that authors make during this process?

 As mentioned earlier: inordinately long auditions.

Next on the list are books that have not been properly or professionally edited. Good grammar usage and spelling are paramount as is word placement when read aloud. The latter is a problem I refer to as “the repeat-repeat syndrome.” That is when an author uses the same word (several times) in one paragraph. Here’s an example: “Harry met Mary in high school. They were completely devoted to each other from day one. Harry devoted all of his free time to Mary and Mary devoted all of her free time to Harry.” When this is read quickly and silently it is often overlooked, but becomes painfully obvious that other word choices could have and would have made the sentence much more interesting, particularly in audio. A simple change to: “Harry met Mary in high school. They were devoted to each other from day one and it was the hallmark of their free time together.” I’ve seen this problem often and it does not become apparent unless read out loud. These corrections are best made by the author prior to sending their book out for audition.

The third point I’d like to make is that when entering into a contract with a narrator, review each chapter as it is recorded rather than waiting until the entire book is finished, thus providing feedback if it is necessary as you go along. Any changes are more easily made rather than waiting for the entire book to be finished. A chapter review by the author is usually done within a reasonable time frame – 24 to 48 hours after the chapter is uploaded for your review. This way, you and your narrator are in sync.

Also, constant re-working of a chapter (more than one time) does not serve you or your narrator well. It is one thing to ask for a mistake to be corrected, but it is an entirely different matter to request a full re-reading. On ACX you are given the opportunity to review and approve the first 15 minutes of your audiobook production and that is the time to request any changes to pacing, sound levels and voices. After passing the first 15 minutes, your narrator will keep those ideas in mind.

Once your book is completely recorded on ACX, it will go through a final quality check to make sure all recording and sound levels meet their strict specifications. If there are any problems flagged it is the responsibility of the narrator/producer to bring them up to standard. Note: This rarely happens with narrators who have some mileage under their belt.

What else would you like us to know that I haven’t asked?

Have the marketing for your audiobook in place well before the launch and begin actively promoting once you are under contract for the production.

Also, line up professional reviewers ahead of time and make sure they are comfortable with reviewing your genre. On ACX you will be given promo codes (25 for U.S. listeners and 25 for British), which will allow a free download of your book for reviewing purposes. You also have the option to promote to friends and family through Audible’s 30-day free trial, which will allow them a free download of your book. If they continue with their Audible membership after the 30 day period, you’ll get a one-time bounty bonus of $50, which is payable along with your book’s monthly royalties.

Once you’ve selected your narrator, a brief expression of thanks to those who have auditioned for your book will go a long way. Again, this is not mandatory, but it is professional and nice to do.

Please know that the cover of your book will have to be modified, going from a rectangular to a square view, which is easily accomplished using Photoshop or similar programs. At that time, you may also consider adding the narrator’s name (“read by” or “narrated by”) to your cover. This is by no means mandatory, but is an optional gesture that is appreciated by the talent, plus the talent’s name may be beneficial to the sales of your audiobook.

Once you’ve gotten the entire audiobook process under your belt, you have options for your next book from sites such as Findaway Voices, which offer an extremely wide range for distribution and the ability to connect with narrators for a set PFH rate.

Keep in mind that audiobooks are a wonderful way to reach new clients and build upon your sales base. Take your time processing all of this information as your research knowledge base will pay off over the years. Happy recording!

What’s your favorite comfort food? Least favorite food?

Gummi Bears for comfort, but please never serve me kidneys!

If you could duplicate the knowledge from any single person’s head and have it magically put into your own brain, whose knowledge would you like to have? And why.

Albert Einstein, because I’ve always been fascinated with physics.

If you had a million dollars to give to charity, how would you allot the funds?

It would be s split among charities that cover services for children, which include health care, housing, and literacy initiatives.

If you could have one skill that you don’t currently have, what would it be?

I would love to be able to do large math sums in my head.

What music soothes your soul?

Almost anything classical played on a violin.

If you could add a room onto your current home, what would you put in it?

More books!

Do you have any guilty pleasures?

A single serving, which is (in all actuality) a full pint of Haagen Daz Coffee ice cream.

What are three things you think we can all do to make the world a better place?

Love one another and live in peace. Listen to others without being judgmental. Take care of the environment, it is the only planet we have.

What simple pleasure makes you smile?

The beauty of nature in all forms.

CONNECT WITH PAULA

Artistic Media Associates

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CHAT WITH KEN FRY

Bestselling, and multi-award-winning British author, Ken Fry, holds a university Master’s Degree in Literature and has extensively traveled around the world. He has extensive knowledge of the Art world.

He is now retired and devotes his full time to writing. He lives in the UK and shares his home with ‘Dickens’ his Shetland Sheepdog.

Time to chat with Ken!

What is your latest book?

My latest book is The Chronicles of Aveline. It’s a historical novel set during the 3rd Crusade and involves the predicament Aveline finds herself in after being banished to a convent and her subsequent adventures as she begins to search and for her lover who has been exiled to fight in the Holy Land. It’s the first time I’ve written a novel with a female protagonist.

I hear you have some exciting news! Can you share it with us?

Of course! I have just sent off to Eeva Lancaster, my editor, and book manager, my final edit for The Lazarus Continuum. It should be published in August, and is a sequel to the multi award winning and very successful, The Lazarus Succession.

 

What part of writing a novel do you enjoy writing the most? The least?

I always enjoy the start or epilogue. I find they can set my perspective of how I may shape the narrative.

The part I like least… maybe before the dénouement when there is an attempt to bring all the elements into focus.

Some authors always write scenes in order. But I know some people write scenes out of order. How about you?

I was once tempted to purchase the ‘Scrivener’ software. A truly remarkable writer’s tool it is too, and ideal for the non-linear approach. However, I resisted. My memory is pretty cool, and I write strictly in a linear fashion. Plus, technology and me struggle at times.

Is it important for you to know the ending of a book before you write it? The title?

Not at all. For me, nothing is written in stone. Plots and ideas change frequently, and as I progress. I have listed over a dozen titles and have chosen each one several times before reaching a decision, and that may not even have appeared on the list!

Some writers edit excessively as they write, others wait until a novel is finished. What do you do?

I have my own way of handling this issue. Each morning, before I commence writing, I read through what I wrote the day before and make what edits I think are required. When the book is finished I read slowly through it twice over and making the inevitable alterations etc. I then send it to Eeva Lancaster, my editor, who then goes through it several more times and keeps in contact with me about how it’s shaping up. It works well for me.

Are you easily distracted while writing? If so what do you do help yourself focus?

When focussed, I’m blind and deaf to all around me, even the phone ringing. A lack of ideas may cause distraction but that never lasts long enough to worry about.

How important is the choosing of character names important to you? Have you ever decided on a name and then changed it because it wasn’t right for the character?

Absolutely! No point giving a hard-boiled thug type, a name like Timothy. It doesn’t sound right. All my principal characters have had name changes halfway through the narrative even. It’s a very important consideration, and the name can be quite meaningful when viewed in context to the story.

Do you have any advice for first time authors?

There’s a lot to learn and unless you are a God-given genius, or have a fantastic stroke of luck, you are not going to get it right straight away.

You need a solid platform of writing and to develop a distinct profile. If you are on the Indie route, you need social media and you need to know how to use it. Seek professional help. I did, and for me it has worked well, although it’s taken two years to get to this point.

How much research was involved in writing your books. How do you go about it?

There can be lots. I have an extensive library of learned and literary books from all my university work. When I read anything that could have a bearing on my story, it gets researched via Google, public libraries and any other source. I’ve been known to spend over a day or more researching on one facet alone. For example, I’m halfway through a book where there is a lot of underwater activity occurring. I’ve contacted diving clubs and divers etc. Now I know something about the subject and I can discuss it in my book without making a big mistake.

Having your work out there to be judged by strangers is often daunting for writers. Do you have any tips for handling negative reviews?

If we are talking about Amazon, you need to look at who the reviewer might be. Have they a subjective and touchy belief system? Is what they say relevant? If it is, take it on board. If it’s the former, shrug it off. Don’t dwell on it. All writers experience the odd bad review. It’s part of our lives!

Are you an early bird writer or night owl? Do you have any must haves like coffee, chocolates, wine, music or something else?

Definitely ‘early bird.’ I use music intensely. It heightens my mood and emotions… Hans Zimmer, Yuja Wang’s piano playing, Buddhist chants and mantras, Vangelis, Lisa Gerrard, Ennio Morricone, to name but a few.

We all know the old saying; you can’t judge a book by it’s cover. This is true. However, how much importance do you place on your book cover design?

That saying may be true, but a cover goes a long way in telling the reader what they might expect from the book. Can you imagine a zombie tale with a spaceship on the cover? Well, you might if it was Zombies from Outer Space. I’m sure you know what I mean.

I use The Book Khaleesi, who produces first class and imaginative covers that reflect my content. I had thought of using covers from a stock, but two authors can end up with the same cover. I’ve seen it. Ouch! None of that is worth it to save a few pence. It’s not worth it. I’ve changed my covers a couple of times when sales are low, and it has worked every time.

Always ask to see what ideas your cover designer has in mind and then make a choice. But let them design it.

Many authors do giveaways; Have you found them a successful way to promote your book?

Not so much. Unless the book involved is FREE.

 Do you feel your latest book is your personal favorite or one of your previous novels?

In terms of writing, I feel that my best book is The Brodsky Affair. You could call it my favorite.

Do you miss spending time with your characters when you finish writing them?

Finishing a book makes me feel sad every time. I get very emotional.

Do you ever suffer from writer’s block? If so how do get around it?

Yes, I have. I shut down and go for a long walk with my dog, and then end up in my local pub to partake of a bottle of wine and bowls of tapas. Works wonders! I take a notebook with me, and also when I go to bed. I often then wake up, and the ideas begin to flow once more.

A lot of authors are frustrated by readers who don’t understand how important reviews are? What would you say to a reader who doesn’t think his or her review matters?

Dear Reader,

A writer lives for your reviews. To know that someone is reading what we wrote. A simple one-line comment is more than enough. It not only validates our work, it also helps other readers figure out if they should read it. If you’re reading an Indie, then the review becomes more important.

Where do you live now? If you had to move another city/ state/country, where might that be.

I live in a small village in the county of Surrey in the UK. It suits me well, but my ideal would be to live close to Florence in Italy. I adore that place, and been there over seven times. For me, it has everything I would ever want. It has passion, culture and an ambience, which has captured my soul.

If you could duplicate the knowledge from any single person’s head and have it put magically put into your own brain, whose knowledge would it be, and why.

Professor Stephen Hawking. Wow, he understood Einstein and expanded our knowledge of how the universe works. His theories are mind-boggling and withstand scientific investigations.

If you could have one skill that you don’t currently have, what would that be?

That would be to be able to play musical instruments.

What are three things you think we can all do to make the world a better place.

Sorry, folks…

1) abandon religions

2) abandon nationalities

3) abandon ethnic differences.

Ken Fry… May 2018.

CONNECT WITH KEN

Amazon Author Page

The Lazarus Continuum (Pre-Order)

 Twitter

Website

Google+

Video of The Lazarus Succession

Audiobooks on Audible (UK)

Audiobooks on Audible (US)

LINK TO GIVEAWAY

CHAT WITH C.A. ASBREY

Chris Asbrey has lived and worked all over the world in the Police Service, Civil Service, and private industry, working for the safety, legal rights, and security of the public. A life-changing injury meant a change of course into contract law and consumer protection for a department attached to the Home Office. She has produced magazine and newspaper articles based on consumer law and written guides for the Consumer Direct Website. She acted as a consultant to the BBC’s One Show and Watchdog, and been interviewed on BBC radio answering questions on consumer law to the public.

She lives with her husband and two daft cats in Northamptonshire, England—for now. She’s moving to the beautiful medieval city of York.

Time to chat with Chris!

What is your latest book?

The Innocents is the first in a trilogy of 19th century murder mysteries. My detective is a female Pinkerton and she has the skills the real women who performed that role really had; she is up to date with the modern detective methods of 1868, conversant with the sciences of the day, feisty, clever, and an expert at accents and disguises. She is nobody’s sidekick and goes in alone to collect intelligence– just like the real women did. In the first book she is sent in to help bring in the most cunning thief in the country, who also happens to be as forward-thinking and as interested in science as she is – except he uses it to commit better crime. When he saves her life, she owes him and resolves to bring in the murderer of a family friend. They find their respective skills dovetail perfectly, but if they’re found working together he could be jailed and she could be ruined forever. Neither of them bargained for their growing attraction either.

Is your recent book part of a series?

‘The Innocents’ is most definitely part of a larger body of work. It’s the first of a trilogy, but if people like them there’ plenty of scope to keep them going if there’s a demand. Each book is a self-contained mystery with the larger universe of the characters providing an over-arching connection between the books. The third book is written and at editing stage, but there are plenty of trials I can still put the characters through yet.

Do you write under a pen name? If so, can you tell us why?

I kinda do. I write under my married name and feature on social media under my maiden name for social interactions on line. I also write under initials. I don’t hide my gender, but it’s not immediately obvious when you look at the book cover.

How did you choose the genre you write in? Or did it choose you?

It definitely chooses me. I’ve loved mysteries all my life and read them voraciously all my life. I joined the adult section of the library at ten and read about three a week for years. I love the fact that there are there are rules to writing a mystery, and the writer has to keep to them if the reader is to be able to play along. The story has to keep moving, all the clues need to be available and the plot needs to be convincing. The rules were set out in ‘The Detective Club’ which featured members such as Agatha Christie, Dorothy Sayers, G. K. Chesterson, and E. C. Bentley. Not all the rules hold true today; for instance, “No Chinaman must figure in the story.” That is simply a ridiculous premise today. Agatha Christie broke another rule. “The detective must not himself commit the crime” but they still provide a framework for the modern mystery writer. The method of murdering the victim must be a robust and feasible technique and not invented or spurious. The motive for murder in a whodunit should be personal, and not an act of war or part of a professional hit. That takes the killing into a different genre of writing. I think that pushing the boundaries in the mystery have to be done by taking the reader with you. It’s a really interactive medium and a mental game.

If you were to advertise your book on a bumper sticker, what would it say?

He was wanted. She wanted him more than anyone else.

How often do your characters surprise you by doing or saying something totally unexpected?

I love it when they do that. One minor character took over and grew into a major one. Another decided to kill herself and left me wondering how to write my way out of this one. When creativity starts to play it’s important to go with it. It makes for a far more interesting plot.

Is it important for you to know the ending of a book before you write it? The title?

I do start with a title, but it can change as the story proceeds. For some reason I need a hook to hang the story on. The ending can definitely change, and often has. I need to keep track of clues, red herrings, characters, and even aliases, but somehow it all comes together. In some plots it’s vital to know the ending. The third book in the trilogy is a howdunit. We know who kills and why, but my characters have to prove how he kills in a case which stretches their forensic skills to the limit.

Some writers edit excessively as they write; others wait until a novel is finished to do the bulk of the editing. How about you?

I always re-read what I wrote the day before and edit as I go but when I finish, I re-read and edit as well as sending the book out to trusted friends and beta readers who not only edit, but would point out any plot holes and scenes which don’t work. That results in more edits until the manuscript is honed and exactly as I want it.

Have you ever imagined what your characters are doing after you’ve finished a book or series?

Oh, yes. I’m already thinking what will happen in the fourth as I promote the first.

How much research was involved in writing your book? How did you go about it?

Copious amounts. ‘The Innocents’ has taken years of research into the early Pinkertons, especially the female agents and the kind of work they did, including their methodologies. I research everything, even the stationary, or the correct codes for the telegraph stations mentioned in the books. The theatrical make up, used as disguises in the book, began to flourish right around the period the books are set in. Lighting had improved and people could see the flaws in the rudimentary makeup used previously on stages lit by candles.

Greasepaint was invented in the 1860s by Ludwig Leichner, building on the work of Karl Freidrich Baudius (1796–1860) in the 1850s. Lighting also improved costumes and acting techniques. It drove a desire for more natural representations in every area, simply because people could see the stage more clearly. Crepe hair went out and quality wigs came in. Colors were mixed to mimic skin tones and classes in their application were popular in the acting profession. Latex wasn’t invented until 1920, but prior to that rubber was molded or even applied to a light fabric backing. When it was the right shape it was expertly painted to look exactly like a nose, dewlap, bald cap, or any other body part. I even researched whether someone with as much hair as the average Victorian woman could wear a short wig. The answer came from a young woman who enjoys cosplay—and she explains online how to pleat her long, thick hair and coil it flat under the cap before putting the short wig on. It absolutely IS possible.

The forensics are fascinating to dig into too. You name it I researched, right down to what shades of clothes were available at that time. I don’t want all that to become a lesson to the reader though. It should be a backwash, a setting in which the plot unfolds. I’m first and foremost a storyteller and I want to carry the reader with the tale and not have them worrying about whether something was available at the time or whether it was possible.

I do enjoy finding things which seem like anachronisms but were actually invented much earlier than people think, but I have my characters discuss these things so it’s clear I’ve done my homework. I have a blog where I detail the strange, obscure, and the things too mundane to be taught in history classes. I was very flattered to be told by another writer that they’d used it as a resource.

CONNECT WITH CHRIS:

Blog (all things obscure and strange in the Victorian period)

Facebook (The Innocent Mystery Series Group)

Facebook

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Amazon

Goodreads

CHAT WITH INGRID FOSTER

Fantasy Suspense Author Ingrid Foster lists Pennsylvania Farm Girl, Veteran, World Traveler and Desert Dweller among her many descriptors. Having written her first story when she was eight, she didn’t officially get the writing bug until January 2005. She currently lives in the Sonoran Desert with her husband and furry babies.

What is your latest book?

My Fantasy Suspense novel entitled My Father’s Magic just went into print and later this year I plan to publish my second book in the Esme Bohlin Suspense Series, Revenge of the Dark Queen.

How did you choose the genre you write in? Or did it choose you?

It chose me. My Instructor at Long Ridge Writer’s Group, Lynne Smith, told me after reading Fresh Meat, that I was a natural for the horror genre. But she never had a chance to read my novel, My Father’s Magic. While having some horrific elements, it is truly what I call Fantasy Suspense. It has the immediate telling of the villain of the story and the fast pace of a suspense novel while in a contemporary fantasy setting. So, in truth, I waffle between the darker stuff like with my Dark Desert Tales and the Fantasy, but all of it is dark, fantasy-based and an entertaining ride from start to finish.

Are your characters ever based on people you know?

Not intentionally, but there are some personality similarities between my characters and people I know in real life.

What else have you written?

I’ve published two short stories from my Dark Desert Tales Collection, “Fresh Meat” and “A Home for Rose.” Both will be included in a somewhat altered state and along with one novella, one novelette and a surprise story in my upcoming book, The Dark Desert Tales Collection, to be published next year.

What do you think some of the greatest misconceptions about indie authors are?

That their books are poorly edited and unprofessional. The vast majority of Indie Authors spend a great deal of time on their craft, they value their readers and want to provide the best product they possibly can. Like many others, going Indie was not a hasty decision. I researched both avenues, listened to more experienced authors both Publishing House published and Indie and finally decided to go Indie with my own brand name, Lucky Nut Press. I wanted the freedom to make choices that were right for me and my stories without having to yield to the latest market trends and big house bottom lines.

How often do your characters surprise you by doing or saying something totally unexpected?

All the time, every day and I wouldn’t have it any other way!

Some writers edit excessively as they write; others wait until a novel is finished to do the bulk of the editing. How about you?

The first book, I edited each chapter as I went. I stopped doing that. I see it as two completely different mindsets. I keep early mornings for writing and late mornings or afternoons for editing.

After working for a very long time on a novel, many authors get to a point where they lose their objectivity and feel unable to judge their own work. Has this ever happened to you? If so, what have you done about it?

Yes, after five years on My Father’s Magic I was done so I chose some objective people and had them read it. After two editors and a team of beta readers, the book was ready to publish.

What are some of the crazy things people have said to you upon learning you are an author? How have you responded?

“Oh, I’ve got a great story idea for you!” or they’ve sent me their stories without asking, expecting me to read them and give a glowing opinion. But, I didn’t choose writing, it chose me. So, IMO, we all have a need to write as a way to vent, but just because you do that doesn’t mean you’re a writer. A writer is someone who has to write, it’s as natural as breathing and we are happiest when writing. If you don’t have that drive, that desire and passion to write, look around you, your talent and passion are most likely doing something else.

Have you ever written characters that you truly despise?

Yes, the antagonist in My Father’s Magic. He had a lot of the same characteristics of someone from my past. Someone I came to despise. Needless to say, I was glad when my main character (protagonist) Esme kicked his ass.

Do you have any advice for first-time authors?

Read everything, inside your favorite genre and outside and then when the need to write becomes so intense that you have no choice, write and write and write. Reading feeds your inner writer, gives you ability to think outside the box and original ideas and concepts are what sells. If you want to write something that’s been hashed a thousand different ways like vampires, come up with a different take on vampires or at least a character that is close to home for you.

Can you tell us about your road to publication?

I’m 55 years old, I devoted my life to writing January 2005. That’s when I stopped fighting my inner writer. Long story, very personal, let’s just say a well-meaning family member convinced the 17-year-old me that giving into my need to write would drive me slowly insane. Over the past few years I’ve learned too things, that cutting off my need to write hurt me more mentally than writing ever could, and two, to embrace all of me, the good, the bad, the ugly, and the crazy. A whole life is a happy life. But back to being published, after a dozen or so query letters I decided writing was a much better use of my time and then when I decided to go Indie, a good friend helped me self-publish my first story, “Fresh Meat.” I’m a fast learner, so I was then able to epublish “A Home for Rose,” and My Father’s Magic.

What do you like best about the books you read? What do you like least?

I absolutely love a story that grabs me from the first paragraph. If a story doesn’t do that, most likely it won’t later and I’ll pass on it.

How much research was involved in writing your book? How did you go about it?

A lot. It took me five years to write My Father’s Magic and a lot of that was because I researched Goddess worship, Paganism, the European Germanic Migration and other topics along the way.

Is there a question I haven’t asked you that you would like to answer?

Where did the idea for My Father’s Magic come from?

After a few years of writing other stories, I got the feeling I had an emotional block inside me that needed to be addressed. Writing has always allowed me to explore my feelings. I’ve always wanted to tell my story, but when I started writing a memoir, the ADHD part of me said, “Boring!” So I decided, “Why not tell your story but in a fictional, fantasy way?”

So I drew a map of a fictional place on a whiteboard and the magical village of Albion was born. Then I started coming up with characters and even though the characters are not me or people I know, I used a lot of my own background, emotions and experiences to write this book.

Do you feel your latest book is your personal favorite or one of your previous novels?

Is it wrong to say your own novel is your absolute favorite read? In truth, I write stories that I myself enjoy. I believe that if I’m not enjoying the story, my readers won’t either, and so I write for me. It’s an absolute pleasure and bonus when others enjoy my stories as much as I do.

Having our work out there to be judged by strangers is often daunting for writers. Do you have any tips on handling a negative review?

The only negative reviews really involved my two Dark Desert Tales, basically that they were too short. So with that in mind, I decided to take them back to the drawing board and explore ways I can increase their story line. I wrote them both to meet assignment requirements for a class I was taking, that’s why they’re short. But with the freedom to expand and allow my characters to spread their wings, it will be fun to see what happens.

Do you miss spending time with your characters when you finish writing them?

Yes, always. My first book was about five friends and even though I couldn’t quite get the story to work I never forgot my five friends. A couple years back I put them into another story. It’s pretty much the same location, but a different plot and it will most likely be a trilogy.

Have you ever wished that you could bring a character to life? If so, which one and why?

I have this adorable little creature in My Father’s Magic that takes a bigger role in Revenge of the Dark Queen. He has six spider legs and two cat legs complete with paws. His fur is as soft as cashmere and changes color to reflect his mood. He has large Onxy eyes and he’s the last (as far as we know) of his species thanks to an flea-carrying plague that took place in the human world centuries before. I’d love for him to come to life.

If you were to advertise your book on a bumper sticker, what would it say?

I brake for katzenspinders!

A lot of authors are frustrated by readers who don’t understand how important reviews are? What would you say to a reader who doesn’t think his or her review matters?

Have you ever started out to write one book and ended up with something completely different?

LOL, yes, The Gathering, the novella that will come out in my Dark Desert Tales collection, started out being about a middle-aged couple moving into a haunted apartment complex in southern Arizona. It’s now about a young widow who returns to southern Arizona to spread her husband’s ashes as promised. Unfortunately almost at the same time, a construction project disturbs a buried pile of ancient bones and all hell is about to break loose.

What’s the coolest surprise you’ve ever had?

Okay, this may be a little morbid. But I had a near-fatal car accident in 1994. After five days in ICU and pretty much out of it, I woke up to see my two-sisters entering my hospital room. Mind you, I’m the youngest of four by eight years and as we are spread all over the country it had been years since I saw them. Having them there when I opened my eyes was the absolute best surprise!

If you could have one skill that you don’t currently have, what would it be?

I’d love to learn how to fly helicopters.

What was the most valuable class you ever took in school? Why?

My 5th Grade English class. I was in a bad place regarding school until 5th Grade, mainly because of severe dysfunctional issues at home. My parents divorced when I was in 5th Grade ending my severe abandonment issues and for the first time I could focus on school. I’ll never forget setting at my desk working in my Language Skills workbook and it seemed like everything opened up to me and I began my life-long love of words.

What’s your favorite film of all times? Favorite book?

I have three movies: The Long Kiss Goodnight, Something’s Gotta Give, and Love Actually

Favorite books: The Prophetess by Barbara Wood, Stephen King’s It and William Shakespeare’s Hamlet

Do you have any guilty pleasures?

Doesn’t everyone? 🙂 Okay, mint chocolate chip ice cream and key lime or lemon meringue pie

What simple pleasure makes you smile?

Spending time with my family, a child’s laughter and walking my dog.

 

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CHAT WITH STEPHEN M DAVIS

 

Steve was the grandson to a Thames-Docker, and son of a schizophrenic, alcoholic mother. Life on the streets of East London in the 60s was a testing time for him. In 1971, he moved to rural Essex aged 14-years. At 16-years old, he was in a house fire, leaving him with life-threatening injuries, which resulted in nine minutes on the other side. He believes he was given a second chance to write about Rebecca.

He went on to work for Royal Mail for 32 years, retiring at the age of 52. He then turned his attention to writing, aiming to improve his use of the English language. It took him five years to recognise his literary voice was a feminine one. Unbeknown to him, Rebecca had been waiting patiently.

Time to chat with Steve!

Is your recent book part of a series?

I only ever intended Rebecca & the Spiral Staircase to be a one-off story chronicling the adventures of a 15-year-old girl. I had finished – or so I thought – and was preparing my novel for a launch date. Then from nowhere, my beloved Rebecca called me for one final chapter. This chapter changed everything, and opened the door for Rebecca, A Way Back, and more…

Do you write under a pen name? If so, can you tell us why?

My name is my name. I write with a feminine voice, but even son, a guy writing about a 15-year-old girl raised a few eyebrows. It was suggested I changed my name and instead choose a female pseudonym. I wasn’t comfortable with that, especially as it is so hard to spell ha ha.

How did you choose the genre you write in? Or did it choose you?

 Aha, that’s an interesting, and in my case, fascinating question. When I first decided to get some words down on paper, a manly sci-fi novel seemed to be the obvious choice. After a couple of years of trudging my way through this story, I realised that either I didn’t fit it or it didn’t fit me. I tried some alternative styles with little joy. I was seemingly lost in literary oblivion. Then from nowhere, Rebecca called me. The moment I started typing she was there waiting. I had found my voice, and genre. Rebecca chose me.

If you were to advertise your book on a bumper sticker, what would it say?

Adults lose their ability to see.

How often do your characters surprise you by doing or saying something totally unexpected?

My girl closes the front door and always turns left. Even though I have a set route or plan for Rebecca, she’s rarely prepared to be led, and instead chooses an unforeseen direction. When she speaks, however, I know how she thinks and responds. Either, I am in her head, or she’d in mine, so there’s rarely a surprise.

Is it important for you to know the ending of a book before you write it? The title?

Oh, if only it were that simple. With an individual like Rebecca, there is no way she’d allow me or anyone else to pre-empt the ending. As with her first chronicle, just when I thought it was done-n-dusted, she shouted an alternative conclusion.

 How important is the choosing of character names to you? Have you ever decided on a name and then changed it because it wasn’t right for the character?

That’s quite a provocative question. Generally, the personalities of my characters or their roles within my novel will ultimately determine their name. I can see everyone’s individual’s facial expression, appearance, and characteristics, which mostly results in a perfect name fit. Sometimes though, I have no choice but consider era appropriate names as with Meredith, a lady from 1853. Rebecca, however, picked her name, and I went along with it because it suited her perfectly. I subsequently discovered that Rebekha was the wife of Isaac in the Hebrew Bible and one of the four original female names.

There are so many conflicting opinions out there about everything related to publishing: e-book pricing, book promotion, social media usage etc. How do you sort through it all to figure out what works best for you?

At the get go, I struggled deciding the right publication route for my novel. Initially, I believed the conventional road via a literary agent was the only way for my girl. I soon realised that in these times of austerity, a new author book deal was always going to be a difficult direction. Literary agents receive an endless list of proposals and invariably your beloved novel, can, and will end up on the ‘slush-pile’, even if your story is outstanding. I tried six agents and although their response was positive, there was always a, “at the moment, we cannot consider new authors.” Interestingly, I didn’t get one auto “thanks but no thanks” reply. Although frustrated, I was actually spurred on by their positive comments. I then looked at the e-book route, and decided to let Rebecca loose on the world. Ultimately, the readers decide if your tale is good enough, and so it has proven with a phenomenal response.

I do use social media as a platform for my novel and this has had a mixed response. I write an angling blog, and with a constant world-wide audience, I used that to promote my novel. Although my fishing blog employs a somewhat different literary voice, it led to a few sales. I also run an angling forum via Facebook, and this platform produced a decent level of sales. Of interest, all the female anglers who read my book openly shared their enjoyment. The male anglers, however, showed their pleasure via private messages. Mostly though, Twitter has been a fantastic method of promoting for my novel. I believe that providing you are proactive and engage your followers, then they will – it would seem – purchase your book once they get to know you.

I spoke with an employee of a large UK book store, and he had an interesting view on independently published books. He explained that while at university, he was tasked with exploring the indie author route. He suggested that over ninety-five percent of e-books are “rubbish,” and that if you have a good story, and it is well written, then it will, in time, rise up through the ranks. His view was that reviews, an attention grabbing cover, a fascinating tale, and believable characters are the keys to success.

Are you a fast typist? Does your typing speed (or lack of it) affect your writiing?

Even if I could type five-hundred words a minute, Rebecca’s tale manifests itself at her pace, with the hands of the clock seemingly motionless. So no matter how fast I want to go, she keeps slowing me down, allowing her time to consider her direction.

Do you write anything besides novels? Care to share?

 As I said earlier, I write an angling blog. Interestingly, readers often say they feel they have been on a fishing expedition with me. Many have said that Rebecca takes you by the hand and leads you through every turn. Although the two are written with a slightly different literary voice, it appears, they both engage the reader in a similar way.

How would you define your style of writing?

 It has been said on a number of occasions, by many, that I have a feminine voice. My intended style is to engage people with thought provoking, between the lines, suggestions. I hope my readers are left unsure, wondering if the events surrounding Rebecca’s journey actually happen. Ultimately, I trust them to find the alternative, unforeseen conclusion. After all, I didn’t see it coming…

Have you ever wished that you could bring a character to life? If so, which one and why?

I don’t know what you could possibly mean. All my characters are alive, thriving, and very well, thank you for asking.

A lot of authors are frustrated by readers who dont understand how important reviews are? What would you say to a reader who doesn’t think his or her review matters?

Reviews are king of the hill… Readers trust independent opinions. Today, the internet dominates people’s decisions. Those going to a new restaurant, holiday resort, or hotel, will check reviews first. Why would it be any different for a book?

Where do you live now? If you had to move to another city/state/country, where might that be?

I currently live with my wife in Essex, just north of London. We hope to move soon to rural Suffolk, known as ‘Constable Country’. It is a beautiful county, with lovely people, an amazing history, and stunning old houses.

Trains, planes, automobiles, or boats?

We prefer boats, or in our case, ships. My wife and I love to cruise and have most recently returned from a fifty night cruise that took us from Southampton, across the Atlantic, around the Caribbean, Latin America, along the coast of North America, and back home. We cannot wait for the next one, so buy my book 😉

What are the most important traits you look for in a friend?

A two way road of honesty and compassion without an agenda is important to me. Knowing they are there for you no matter what, and that you feel the same.

 Care to brag about your family?

I have been married to Jacqui for 38 years, and she is still my best friend. Before she retired, she was the court manager at the world famous ‘Old Bailey’, Central Criminal Court, in London. Our son, Ryan is currently resident in Vancouver, Canada living the dream. He is super intelligent, getting his brains from his mother, a fantastic footballer (soccer), and an honest individual.

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CHAT WITH ELLIE DOUGLAS

Ellie Douglas loves horror and she wants to scare you. She is the author of the Hounded Series, Fear Inducer, Toxic Desire, The Dead Undone and the Dead Wake Anthology. Her passion and love of horror drives her and she strives to spook you. Ellie also creates adult coloring books and makes professional book covers, all of which she thoroughly enjoys doing.

Time to chat with Ellie!

What is your latest book(s)?

I have two new books that were published in December 2017. The Dead Undone is a tale set in a haunted asylum; the ghosts and paranormal activity are the least of the worries that the characters have. For their greatest fears are the dead rising. My second book, The Dead Wake Anthology, is all about zombies in bizarre, funny, and also serious situations. It’s a book of ten shorts that will raise emotions within the reader that they never thought possible when it comes to zombies.

Is your recent book part of a series?

It might be, though I don’t want to sound cryptic, my books can all become a series but I haven’t any plans at this stage to do so.

What are the greatest challenges in writing short stories?

The greatest challenge I found in writing my short stories was where to end them. Once I managed that it was a home stretch from then onwards.

Do you write under a pen name? If so, can you tell us why?

Yes my first name Ellie is my chosen pen name that I got from my real name with a combination of my real first names letters. The reason for the first name change was because there is another author out there with my name and I didn’t want readers getting confused with who is who.

How did you choose the genre you write in? Or did it choose you?

Both. The genre horror chose me and I also chose it. I tried my hand at a thriller but always found myself going back to my love of horror. Are your characters ever based on people you know?

Not directly, but some of my characters are based off of people’s personalities. In particular, my own children have inspired me with the different personalities that I see in them.

I hear you have some very exciting news! Can you share it with us?

I am pregnant with aliens? No, my exciting news is that I just released two novels and that is pretty exciting.

If you were to advertise your book on a bumper sticker, what would it say?

Eat me!

What else have you written?

I’ve written six novels in total now. The Hounded series, book 1 and 2, Fear Inducer, Toxic Desire, The Dead Undone, and The Dead Wake Anthology. Is it important for you to know the ending of a book before you write it? The title?

No. I tend to fine tune the story as I go along, so the ending can change and has done multiple times. The title is either going to be extremely hard to reach for me in particular or easy. It just depends on the story. Sometimes I’ve come up with a title before I’ve even written the story and other times I’ve struggled with a title.

Some writers edit excessively as they write; others wait until a novel is finished to do the bulk of the editing. How about you?

I do both, or have been known to do both. I’ll start off editing as I go. Then I’ll be so into the story that I just write it. Then I’ll go back and edit.

Have you ever imagined what your characters are doing after you’ve finished a book or series?

Yes, in particular my characters from my Hounded series. I often ponder about what they are doing. What are some of the crazy things people have said to you upon learning you are an author? How have you responded?

The craziest remark I’ve ever received was a simple word; ‘Really?’ to which I simply replied back, ‘yes’. I do so with a large smile and big wide eyes.

Are you easily distracted while writing? If so, what to you do to help yourself focus?

Yes, I’m very easily distracted. If I get distracted I have to stop. I’ll handle whatever has distracted me and then see if I can pick up from where I was. If not, I’ll do some reading, clean the house, watch TV or a movie and then get back into my writing.

Authors, especially Indies, are constantly trying to understand why some authors sell very while their talented fellow authors have a hard time of it. It’s an ongoing conundrum. What do you make of it all?

I believe it just comes down to who you know as well as having a massive financial backing. Without word of mouth and money in droves it is hard to do the advertising to get noticed.

We all know the old saying; you can’t judge a book by its cover. This is true. However, how much importance do you place on your book cover design?

I place a huge importance on my books cover that probably is because I’m a book cover designer so it has to be perfect. Being a perfectionist aids in that largely too.

Do you have complete control over your characters or do they ever control you?

I have full control over my characters, though in my latest novel, The Dead Undone, one of the characters decided to kill himself and I had to bring him back as he was pretty vital to the story. Lol

Do you ever suffer from writer’s block? If so, how do you get around it?

I have once and how I handled it was walking away from my writing. I ended up leaving it for a period of two long weeks and then when I returned and re read what I had already written the writer’s block was gone and I was able to continue forward. 🙂  

Where do you live now? If you had to move to another city/state/country, where might that be?

I live where I was born, Auckland New Zealand. If I could chose another country I would go to England.

Trains, planes, automobiles, or boats?

Boats and trains.

What’s your favorite comfort food? Least favorite food?

Favorite comfort food would be anything junk. lol Least favorite food is fish or basically seafood.

If you could be invisible for a day, what would you do?

Rob a bank! OK, I wouldn’t do that umm if I were to be invisible for a day I would go around giving everyone a terrible fright. It’d be fun to scare them silly.

What’s the best gift you’ve ever received?

OK this is going to sound absolutely corny and it isn’t an actual gift but the best gift I’ve ever received is ‘Life’ 🙂

What are the most important traits you look for in a friend?

Honesty and outgoing.

Care to brag about your family?

Yes, they are all zombies. LOL I have four children and a wonderful supportive husband. One of my sons is going into medical science and I couldn’t be more proud. My youngest, the twin girls, are still in college and one of them is very artistic and creative, and has told me she’ll be an author and artist one day just like her mamma (That’s me). lol The other is going to be a saver of animals and wants to travel to places around the world to do so. Very ambitious 🙂 My oldest son has just had a baby and so yes I’m now a grand mamma 🙂 I love my family very much 🙂

What might we be surprised to know about you?

You might be surprised to know that I invented a slots machine game called Infinity slots, unrelated to the one on Facebook, mine is ad free and one that you actually win, true to the name of (Infinity) 🙂

What makes you angry?

Twitter jail! What is twitter jail I hear some of you ask? Well it is when you tweet your daily limit of tweets and then you are told by Twitter with a message that says; you have exceeded your daily limit and must wait a few hours before you can continue. That ticks me off just a little. The only other thing that makes me angry is bad drivers. Those drivers that are putting on makeup and holding up the lights to go. Those drivers who are on their phones and turn without looking almost causing a head on etc. Yeah, those!

What music soothes your soul?

Mostly any music is soothing. I’m very found of the 80’s and also of the latest stuff being released. Shakira is currently one of my favorites and one of my twin daughters is currently right into K-Pop and I have to admit some of that is rather catchy and I often find myself singing along and moving to the beat of the music.

What was the most valuable class you ever took in school? Why?

Can there be two? If so it would have to be Art and English because they gave me the abilities to be what I am today, an artist and an author.

If you are a TV watcher, would you share the names of your favorite shows with us?

This might take a while there is a few. lol

The 100

The Walking Dead

The Fear of the Walking

The Preacher

Ash Vs Evil

The Strain

Grey’s Anatomy

X-Factor

Super girl

Flash

Inhumans

Lethal Weapon

American Housewife

Little Sheldon

Take me out

Blind Date

There are a lot more. I happen to love TV and movies 🙂

If you could add a room onto your current home, what would you put in it?

Funny that this question is here as it is something that has been on my mind a lot lately. If I had the chance to add another room, I’d fill it with a large screen TV and DVD player so I could put in a treadmill and watch movies while walking 🙂

Have you ever walked out of a movie? If so, what was it?

I have. When I was 11 years old I was taken to see The Deer Hunter and well being a tender young age I couldn’t handle what I was seeing so I left. Much to the dismay of the friend that had taken me.

What simple pleasure makes you smile?

Seeing my kids laughing and giggling and having a good time. Seeing them grow before my very eyes. Watching movies and singing when no one can hear me, and trust me no one wants to hear me singing. But I love to sing out loud when no one is listening. Talking to my friends, and making them laugh.

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CHAT WITH JOHN DOLAN

“Makes a living by travelling, talking a lot and sometimes writing stuff down. Galericulate author, polymath and occasional smarty-pants.” John Dolan hails from a small town in the North-East of England. Before turning to writing, his career encompassed law and finance. He has run businesses in Europe, South and Central America, Africa and Asia. He and his wife Fiona currently divide their time between Thailand and the UK.

Time to chat with John!

Is your recent book part of a series?  

My latest novel, Restless Earth (which was published last week), is the first in a trilogy of books entitled Karma’s Children, and it features my anti-hero private detective David Braddock. Braddock is the lead protagonist in a series of four mystery books published between 2012 and 2016, collectively called Time, Blood and Karma. My original intention back in 2011 (when all this authoring madness came upon me) was to write a series of seven books; but I decided for various reasons to split these into two series. Restless Earth has been constructed in such a way that readers who have not previously read any of my books can jump straight in without getting lost. For those resilient bookworms who have somehow had the stamina to burrow their way through the previous four novels, Restless Earth picks up where the last series left off.

What are the special challenges in writing a series?  My Karma mystery books were all conceived at the same time: there was always going to be seven of them. One might say there is one long narrative arc spanning all seven books, with each individual book also containing a self-contained story. For me, there were (and still are) three specific challenges. First, I want the concept of karma and some underlying aspects of Eastern philosophy to permeate the writing and plots, and to provide a unifying theme. Second, the reader must be aware of a broader story trajectory while finding enjoyment in the particular plot of any specific book. While there will be loose ends at the end of each individual novel, I did not want to create a cliff-hanger scenario: I personally find this annoying when I encounter it – and it makes me feel cheated. Third, character development must be paced: a collection of seven books is, after all, more of a marathon than a sprint.

How did you choose the genre you write in? Or did it choose you?  I describe my Karma books as mystery novels. They do, after all, feature a private detective and multiple crimes to be solved. However, in my view, they hover around a number of genres – sometimes literary fiction, sometimes thriller, and with some philosophy thrown in for good measure. And, without (hopefully) getting too pretentious about it, over the course of the seven books, they are more like a family saga incorporating the story of one man’s life journey. Wait, that is horribly pretentious. Oh, OK, too late now. The funny thing is, when I started writing Everyone Burns – my first book – I didn’t even consider genre, and I certainly wasn’t writing to any kind of formula. Plus, I very rarely read crime or mystery stories, as I tend to prefer non-fiction. So, where all this stuff came from is the real mystery.

What else have you written?  

I am currently editing a collection of my poetry, and trying to decide whether I have the courage to put it out into the public domain. Three years ago, I collaborated with another writer, Fiona Quinn, in co-authoring a completely off-the-wall black comedy/romance/thriller novel titled Chaos is Come Again. The most fascinating aspect of that project – which was fun, by the way, as Fiona is a great sport – was that Fiona and I have never actually met in person. We did the whole thing over the Internet, using Skype when we needed to chew things through. The time difference was a problem, as Fiona is on the US East Coast, and at the time, I was living in Thailand. But we found ways around the difficulties. Someday, we should probably write a book about the experience!

Are you easily distracted while writing? If so, what to you do to help yourself focus?  

Did you see that butterfly? I’m sorry, what did you say? I can be easily distracted. It depends whether I am ‘in the Zone’ or not. I am not one of these people who can sit down at their laptop and write for hours. My creativity soon dries up, and my monkey mind starts jumping off in different directions. Recognising this, I do my writing in bursts of about two hours, usually sitting at a corner table in a coffee shop. If I try to write at home, I find there are too many other things to think about. So, if you enjoy my books, you can thank Starbucks. If you don’t like my books, blame Starbucks (I know I will).

How important is the choosing of character names to you? Have you ever decided on a name and then changed it because it wasn’t right for the character?  

The choosing of character names is very important for me for two reasons. One, many of my characters are Thai – and Thai names are notoriously long and complicated; yet I have to find ones that are accessible to a Western readership. Two, I have LOTS of characters in my books, so I’ve learned to make sure their names are sufficiently different (and memorable where necessary) so as not to confuse my audience. In Everyone Burns there were two Thai characters whose family names began with the same first three letters (‘Cha-‘), and in retrospect, I consider that a mistake. As to the second part of the question, no, I’ve never changed a character’s name later.

If you were to write a non-fiction book, what might it be about?  

I have it in mind one day to write a philosophy book. My working title is Bloody Humans. As you might surmise, it’s not going to be a laugh a minute. Not recommended for anyone on suicide watch. Or indeed anyone, probably.

Would you like to write a short poem for us?  

Here’s one from my currently-unpublished poetry collection, so your readers are the first to see it. (I’m not sure whether that’s a reward or a punishment, but hey ho!) It’s an author’s plea, with due apologies to Philip Larkin.

This Be the Book Review

They fuck you up, your readers do;

They keep you always on the edge.

So, when you read that bad review

You feel like jumping off the ledge.  

 

But they were fucked up in their turn,

(A fact on which we should reflect)

By mums and dads who sought to spurn

And criticise their intellect.  

 

They’ve had bad days like you and me

Therefore, be gracious, let them live.

Their lives may be such shite, you see,

It’s better if we just forgive.  

I hear you have some very exciting news! Can you share it with us?  

For a limited time, I have some free/discounted book offers – but you’ll have to act fast for some of them! On 27 and 28 November, my novel A Poison Tree is FREE on Amazon Kindle, and Everyone Burns is discounted to 99 cents. The short story Jim Fosse’s Expense Claim is permanently FREE (if you’d like to dip your toe into my writing). Also, until 31 December, you can enter a FREE giveaway for three paperback copies of my latest novel Restless Earth on Goodreads. Click on my Amazon Author Page link below and go from there for the Kindle offers. For the Goodreads giveaway, you will find a button below.

Where do you live now? If you had to move to another city/state/country, where might that be?

For another few weeks, I live in Dubai, where I’ve been based for the last two and a half years. Our next ‘home base’ will be on the Thai island of Samui, where my wife and I built a house a few years back, and where many of my stories are located. For the next year or two, we will be splitting our time between South East Asia and the UK, and doing some travelling to exotic and/or weird parts of the world. After that, who knows? Since we started off on our expatriate odyssey in South Africa in 2004, we’ve become rather nomadic. I don’t think that’s going to change any time soon.

If you could have one skill that you don’t currently have, what would it be?  

I really, really wish I could be modest, but frankly, I’m so talented this is impossible. But seriously, there is no skill I hanker after. The secret to a happy life is being content with what you already have. Don’t you agree?

Do you have any guilty pleasures? Yes, but obviously I can’t talk about them. If they were the sorts of things I could mention in public, then I don’t suppose they’d be guilty pleasures. I suppose I can just about mention chocolate, buying too many books, and talking way too much.

What are three things you think we can all do to make the world a better place?  

If about five billion of us humans all stopped breathing today that would give the planet’s other species a well-earned respite. That aside, I would advocate (1) being more compassionate toward each other; (2) watching fewer advertisements so we want less useless stuff; and (3) eating less meat. I’m working on all three of these – but so far with mixed success.

CONNECT WITH JOHN

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Goodreads Book Giveaway

Restless Earth by John Dolan

Restless Earth

by John Dolan

Giveaway ends December 31, 2017. See the giveaway details at Goodreads.
 

Enter Giveaway

CHAT WITH ROBIN LYONS

Robin Lyons, Author of the School Marshal Series, lives a quiet California life in the foothills of Sierra Nevada Mountains. After twenty-nine year career in public education, Robin’s fiction aims to bring awareness to crimes taking place on school campuses and crimes involving the people connected to schools in the School Marshal Series.

Is your recent book part of a series?

The most recently published book is Mac, a prequel novella in the School Marshal Series. Mac takes the reader back in time, providing a glimpse of the main character’s roots (Cole ‘Mac’ MacKenna) and helps readers better understand the leading man in the series.

What are the special challenges in writing a series?

It’s important to keep the characters’ information and stories straight as they move from book to book. Equally important is keeping the places and settings consistent. In case I need to refresh my memory about someone or something, I keep a few books open and readily accessible while I’m working on a new book.

One aspect I love about writing a series is it’s pretty easy to pick out something mentioned in an earlier book and then twist it into a plot or subplot down the road.

How often do your characters surprise you by doing or saying something totally unexpected?

One time, as I wrote a plotted scene with a character I had planned to also use in a future book, I felt the character needed to go another direction. I remember telling my husband about how it felt like the character made the scene turn differently from what I had intended.

Some authors, like me, always write scenes in order. But I know some people write scenes out of order. How about you?

I outline the entire book using index cards before I begin to write scenes. Once the scenes are plotted, I lay the index cards out to arrange and rearrange until I have them in an order I believe flows. When it’s time to write scenes I have the entire story swirling in my mind. I start out writing in order, but I’m able to bounce around when one scene speaks louder in my head than another.

Some writers edit excessively as they write; others wait until a novel is finished to do the bulk of the editing. How about you?

It’s so hard for me to ignore and continue writing when I see a squiggly colored line under a word or sentence, so I correct typos and incorrect words as I go. I don’t recommend editing as you write because it brings the creative flow to a screeching halt. But for me to ignore those darn squiggly lines would be the same as not picking up a tissue I’ve dropped.

Have you ever decided on a name and then changed it because it wasn’t right for the character?

Yes and I factor in other things besides whether the name feels right or not. I do an internet search of names, titles, fictional business names, fictional locations, fictional cities, etc. I change the name if something pops up that I wouldn’t want to be associated with me or my stories.

I write in Scrivener and love the name generator tool. If you aren’t familiar with Scrivener, you can select the gender and region the character is from to influence the name choices suggested. It’s pretty cool.

Do you have any advice for first-time authors?

Don’t do what I did. I spent years learning as much as I could about writing, editing and publishing that the publishing world changed as I was learning. I thought I wanted to pursue traditional publishing, then vanity publishing. After six years of learning, researching, writing, and re-writing—in that order, I ended up independently publishing. All of what I did was necessary for me to proceed, but it didn’t need to take six years. The priority should have been writing.

Please, tell us about your experiences with social media. What are your favorite and least-favorite parts of it?

Social media is a challenge for me. Through trial and error, I’ve learned where my comfort zone is.

I’m active on Twitter and enjoy getting know Twitter friends. Direct Messaging (DM) on Twitter can be frustrating. You get inundated with DMs asking you to buy this and like that. Often people send a DM suggesting they’ll like your Facebook page if you do the same for theirs. Assuming the person is genuine, I’ve liked someone’s Facebook page and then replied to their DM letting them know I’ve done so and include a link to my Facebook page so they can do the same. More often than not, I don’t receive the same in return as promised in the DM. Twitter Lesson #1 – Some people are dishonest.

I’m active on Facebook as well. I enjoy Facebook for providing tons of interesting and relevant content but I haven’t mastered Facebook friendships other than in groups. There are some fantastic writer groups on Facebook. I’ve found most people in the groups are super friendly and helpful.

I’m also on Goodreads and LinkedIn but seldom go there; I don’t fully understand how to interact with others on either platform.

My Instagram account is mainly personal for connecting with friends and family.

How much research was involved in writing your book?

I love research! And therefore I do too much research. To accurately write about something I sometimes get bogged down with the tiniest detail. For example, do crickets make noise year-round or only during certain seasons? If I’m going to write about a cricket making noise—the time of year must be accurate.

*Nerd Alert* For the School Marshal Series, after I researched the names of everyone and everything, I created a town map to give me a bird’s eye view of where everything is. When I write about going to a restaurant or the police department or sitting on the back porch enjoying the view, I know exactly where the character is on the map. And with each book written more is added to the map. At some point, I may have the map professionally drawn and include in one of the books.

We all know the old saying; you can’t judge a book by its cover. This is true. However, how much importance do you place on your book cover design?

My covers are super important to me. I began saving book cover graphics that appealed to me long before I began to write. For me, the cover has to relate to the story. I like my covers to come alive in the first few chapters so the reader can connect the cover to the story and the story to the cover.

What would you say to a reader who doesn’t think his or her review matters?

I’d say it’s the Power of ONE.

ONE dollar donated to a worthy cause.

ONE kind comment said to someone having a bad day.

ONE instance of helping an older or disabled person cross a street or open a door.

ONE time helping a bird with its wing caught on something.

ONE call to a friend or relative you haven’t talked to in a long time, etc.

ONE review has the power to help thousands of people decide what book to purchase.

ONE review also has the power to help boost a book’s ranking.

ONE review does matter.

Have you ever started out to write one book and ended up with something completely different?

Yes, I sure have. As soon as I retired, I went to the small town in South Dakota where my mother grew up because I wanted to write her life story as a fiction novel. After the trip, I did extensive research and then began writing. Not having a clue what I was doing or that there is a structure to novels I struggled to write chapter one. I tried first-person POV, then third-person POV. All of the research was shelved, and I began writing a story about a gigolo. Upon completing the gigolo story, I sent a sample to an editor and was kindly told it was crap.

Unsure what to write next, I began to study the craft. At that time, I was an elected school board member in my hometown. Our community was suddenly thrust into a tailspin when a beloved school principal was gunned down in his office by a co-worker. I’d known him for more than twenty years; he was my children’s middle school principal and my grandson’s elementary principal. The loss felt by the school district and community was tremendous. I knew then I needed to write the School Marshal Series with an imperfect protagonist keeping a watchful eye over the school and all who are connected to the school. The protagonist doesn’t always prevail because there is no such thing as a perfect world, but he sure gives it his all. It comforts me to think if there had been a security guard or a school resource officer or a school marshal on the campus the day of the shooting, maybe the outcome would have been better.

Mom’s story is still in the queue…

What might we be surprised to know about you?

I’ve skydived. Tandem with an instructor, but still an incredible experience.

What makes you angry?

Very little. I’m an easygoing person. I may get frustrated or turned off by someone’s behavior, but I try not to get riled.

What was the most valuable class you ever took in school?

Journalism.

Why?

Those valuable lessons taught so many years ago now help me understand how to format. A necessary skill for an indie-published author.

What are three things you think we can all do to make the world a better place?

Stop judging others based on your opinions.

Say two positive comments or praise for every negative remark.

Praise children for what they do right instead of criticizing what they do wrong.

CONNECT WITH ROBIN

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BARRIE HILL REUNION: The Very Long Birth of a Novel

When I was eighteen years old, and a drama student at Pace University in New York City, my grandmother came to visit me for the weekend.

That Sunday, she took me for brunch at the Algonquin Hotel. I had no idea what an impact this outing would have on my writing life.

While we were enjoying our meal, my grandmother told us about the Algonquin Round Table, the celebrated group of literary New Yorkers who met for lunch every day from 1919 to 1929 or thereabouts. I wish I could tell you more about what happened, but my memory of that day is so vague it barely exists. All I can distinctly remember is being fascinated, looking around at the décor, and deciding that I was going to write a story, based on a hotel like this, about the reunion of a college literary group. And I felt very passionate about it. Maybe the ghosts of members past had whispered to me. I wouldn’t be surprised.

 

(standing, left to right) Art Samuels and Harpo Marx; (sitting) Charles MacArthur, Dorothy Parker, and Alexander Woollcott

I can’t even remember when I actually began writing my short story. I really loved the concept, but I was not the disciplined writer I am today. I do remember the first line, though: “Leah received her invitation on Tuesday.”

In my early twenties, I was living in Queens, NY with my roommate, Gail, who worked in an office. I was working as a bartender at the time. Because I had no access to a copy machine (which everyone called a “Xerox machine” back then), I asked Gail if she could make me a copy of my story. I knew it was special, and I didn’t want to lose it.

It was so special that when Gail forgot to make a copy for me, I completely forgot I had ever asked.

Fast forward several years. I was living in Los Angeles, working at Paramount Studios. One day, I received a piece of mail from Gail. She had been going through her things, purging a lot of stuff she had saved, and found my story. She thought I might want it. Did I ever! I was ecstatic! It was like being reunited with a dear friend whose existence I’d forgotten. That said, I’ve never forgotten the existence of any dear friends. Only this one.

It didn’t take me long to turn my unfinished story into a one-act play. I mailed my nascent creation to theaters all over the country. I did receive some positive feedback, but no luck. The play was not without its fans though, as many of the people who read it had a strong positive reaction.

Years later, back East, my mother (a Journalism professor) introduced me to the director of Temple University’s theater. He read the play and really “got” the characters, but told me that it needed to be a two-act play. I agreed with him, and promptly reworked it as per his suggestion. He had been enthusiastic about reading the new, expanded play, but when I gave it to him, he simply never got around to it. For years, every time my mother would run into him on Temple’s campus, he would lament, “Oh, I never got around to reading your daughter’s play.”

In 1996, I finished writing my first novel, Squalor, New Mexico. I knew then that I wanted to write novels, not plays, and I went on to write five more novels. Finally, something in my brain decided it was time to dust off “Barrie Hill Reunion” and turn it into a novel.

 I wanted to stay true to the original characters, which for the most part I did, but there were some major tweaks in a few of them, as I was now writing a much more nuanced and in-depth story. Also, while I had never attributed a specific year to the play, I knew that the novel could not take place in the current year. Nothing about that felt right. It made sense that the characters had gone to college in the 1960s and were meeting again, twenty years after graduation, in 1986. It was important to me that there were no cell phones or personal computers involved. To modernize the story that much, would have destroyed it.

It was a really interesting process to write a novel with characters that had been with me for a lifetime. While I’ve written villains in other stories, I don’t think I’ve ever written a character as cruel as Leah Brent, one of the Barrie Hillers who attends the reunion. While writing her dialogue, I would often look at the computer and curse her out for what she had just said. Yeah, I called her some really bad names. I think my writer friends will understand this; others might think I am a bit nuts.

Some of the original dialogue from the one-act play appears in the book, but that said, I did not force it. In fact, after I while, I stopped following the play altogether. As I do in all of my novels, I create multiple story arcs, something I could only hint at in play form. So it was important to go in some new directions.

I don’t want to say too much more, only that I’m happy to finally bring this story to life. You can read the synopsis below or on Amazon.com.

In the mid-1960s, at an elite college in the quaint town of Barrie Hill, Connecticut, a group of literary-minded students met regularly off-campus at the Vanessa Grand Hotel. Often late into the night, they would discuss the day’s news, analyze literature, philosophize, trade barbs, and socialize.

Twenty years after graduation, in 1986, the group’s founder, Clare Dreyser, organizes a weekend reunion. Seven former Barrie Hillers and one guest get together, eager to re-create an extraordinary time in their lives and reunite with old friends.

From the outset, and baffling the group, Leah Brent displays a brash, condescending attitude for nearly everyone and everything. To the chagrin of actor Bart Younger, Leah immediately lays out the unwelcome mat for his wife, Aimee. No one, not even Leah’s husband, Colin, is immune to her wrath, but Leah is relentless in her bizarre and cruel quest to bring down her primary target: Clare.

As the reunion progresses, the Barrie Hillers strive to enjoy their time together as they become enmeshed in personal dramas, struggle with matters of ethics, and weather escalating uncertainties that threaten to destroy their lives. By Saturday night, the second day of the reunion, karma makes a surprising and shocking visit. As the Barrie Hillers’ time together draws to an end, each is changed forever.

Thanks for reading!

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Barrie Hill Reunion is also free to read on Kindle Unlimited.

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CHAT WITH JULI D. REVEZZO

Juli D. Revezzo loves fantasy and Celtic mythology and writing stories with all kinds of fantastical elements. She is the author of the historical fantasy Frigga’s Lost Army, the romances, House of Dark Envy, Watchmaker’s Heart, and Lady of the Tarot, the Antique Magic paranormal series and Celtic Stewards Chronicles series and more. She is also a member of the Independent Author Network and the Magic Appreciation Tour.

What is your latest book?

Frigga’s Lost Army. It is an historical fantasy set about a World War II POW who survives his time in captivity with the help of the Norse goddess Frigga.

Is your recent book part of a series?

No, it’s a standalone this one.

How did you choose the genre you write in? Or did it choose you?

I’ve always written fantasy into…just about everything I write. History always seems to be blended in there somewhere, just depending on what era strikes my fancy at the time. I’ve written worlds set in the Victorian era as well as some (Lady of the Tarot) based in the 18th century, and some, like my Celtic Stewards Chronicles, covering darned near every era.

What else have you written?

 I’ve written the Antique Magic paranormal fantasy (about a woman living in current day Florida, who finds her husband plagued by demons due to a family curse. She has to embrace her witchy powers to save him), also the Celtic Stewards Chronicles, which is a fantasy romance series about a family to whom the Celtic (Irish, specifically) gods come and request the use of their property for their sacred battle; I’ve also written a few historical romances, and odds and ends of novellas and some short stories that are published in a few anthologies.

What do you think some of the greatest misconceptions about indie authors are?

That you can throw up a book in a minute and make a million bucks. Yeah, it happens, but only to a very, very few. And the other misconception, still, is that we’re all… writing a book in a minute, and not taking care with our stuff. That may be true for some, but certainly, not for me.

What part of writing a novel do you enjoy the most? The least?

I enjoy writing the novel the most. I don’t enjoy writing the synopses! 🙂

Some authors, like me, always write scenes in order. But I know some people write scenes out of order. How about you?

It depends on the story but I do seem to jump around more than just write straight through.

Is it important for you to know the ending of a book before you write it? The title?

An ending, yes. Or at least, I like to have a vague idea. As for titles, I usually only need something workable to save it under, then worry about what to use as the marketable title after the fact. I usually have to bounce a list of ideas off friends. We usually end up with some keyword heavy thing I wouldn’t have thought of on day one of the manuscript. Because, you know, keywords don’t figure into some of the best titles:

Elric of Melniboné. (What the heck is that?) The Mabinogion? To the Lighthouse (what lighthouse?) , Mrs. Dalloway, Carmilla (who are they?). Or, take Pickman’s Model by Lovecraft. Who’s Pickman? What kind of model? Is he making toy cars? Or taking something as a model for his life? Is Pickman even a man? (If you haven’t read it, I’m not telling!) Ah…there’s no real keyword there, and (if you don’t know who Lovecraft is) you can’t tell the genre or what the story’s about just from the title, can you? That’s a clever title, in my opinion. 😉 Based on the long history of titles in literature, the current trend doesn’t stack up. Something as keyword heavy as The Detectives of the Elves in the Forest doesn’t work quite so well, in that light, does it? Especially if you realize, tomorrow, your “hot keywords” could very well be out of vogue. Anyway, long story short, based on my influences, that’s why I have to bounce title ideas off friends before I make the ultimate decision.

Have you ever imagined what your characters are doing after you’ve finished a book or series?

Sometimes. Ben (from Frigga’s Lost Army) is more or less settled right now. My novelette “Bicycle Requiem” tied itself to my Antique Magic series, in a way that, I didn’t anticipate when I started either one. I have tons of ideas for what comes next in Antique Magic, and some, yes, that have had me rearrange the end of what I thought would be the final book. I’m not sure I’ll write all of them, (don’t want to have a 25 book series, after all) but I do have them all written down.

After working for a very long time on a novel, many authors get to a point where they lose their objectivity and feel unable to judge their own work. Has this ever happened to you? If so, what have you done about it?

I usually have two or three manuscripts in flux at once, so when I finish one draft, I’ll put it away, and work on something else for a while. That usually clears my head of draft one, so I can go back to it objectively. Then of course, I have betas and editors go over them, as well, who help me pick out what’s wrong.

Are you easily distracted while writing? If so, what to you do to help yourself focus?

No, I’m…*squirrel* 🙂 Seriously though, if I get distracted, it’s usually a sign I need a break, so I’ll stop and maybe go poke around in the garden a little, if it’s a nice day. Or read something else for a while, or poke around on the internet, maybe write a blog post, watch a movie. Things like that. Sometimes just a little rest helps.

Over the years, many well-known authors have stated that they wished they’d written their characters or their plots differently. Have you ever had similar regrets?

Not really. I have things I’d like to tweak, but I don’t usually feel the need to tear everything down and start again. If a book ends up that messed up (and there have been times!) I’d rather move on and write something new.

How important is the choosing of character names to you? Have you ever decided on a name and then changed it because it wasn’t right for the character?

Constantly! I have one character right now who I wish I’d changed the name before I published the book. Too late now.

Authors, especially Indies, are constantly trying to understand why some authors sell very while their talented fellow authors have a hard time of it. It’s an ongoing conundrum. What do you make of it all?

I really can’t say. Sure talent has something to do with it, but sometimes, it seems like it all comes down to luck.

Please, tell us about your experiences with social media. What are your favorite and least-favorite parts of it?

Least favorite part about it…. Everything. Well, not everything, but a few things: DMs on both Twitter and Facebook have a tendency to get lost, so do Twitter comments. I also dislike those ridiculous “please verify yourself” DMs. No. Please stop it.

What do you like best about the books you read?

The storylines, if you’re a fantasy writer, the magic you include. For mysteries, a clever twist. For paranormal cozy mysteries….well, the magic. J

What do you like least?

Fantasy stories where the writer makes a mythological god a villain based on his/her looks and dress, without checking into what the mythology actually says about him/her (Cernunnos is not a devil in Celtic mythology, for instance, even though he has horns). Those kind of mistakes/ uses of “poetic license” drive me batty.

How much research was involved in writing your book? How did you go about it?

With Frigga’s Lost Army, I spent the most time reading accounts of how the POW’s lived life in the camps. Most of these accounts are online, so it was lot of web reading and link culling.

Do you allow others to read your work in progress, or do you keep it a secret until you’ve finished your first draft? Can you elaborate?

I tell you what, my betas and editors prefer to read the entire first draft. They always have, so while I have a critique friend I bounce ideas off, I never let them read it until I’ve finished that draft.

Have you received reactions/feedback to your work that has surprised you? In what way?

Interestingly, men seem to enjoy my Antique Magic series. Since the main point of view is a woman and so I thought they’d be my target audience (women who love things like the Hollows and Anita Blake series). That surprised the heck out of me.

Are you a fast typist? Does your typing speed (or lack of it) affect your writing?

 Yes, I am, but I’ve never timed it. (I’ll be humble and say I have average typing speed) How does it affect my writing? I’ve given myself carpal tunnel—which, as you can guess—tends to stop the writing, sometimes.

Do you write anything besides novels? Care to share?

I have a blog (link below) and my journals.

Were you “born to write” or did you discover your passion for writing later in life?

I’ve been telling stories since I was a child, so yeah. Born to write. I didn’t write my first novel, though, until I was 18.

Do you dread writing a synopsis for your novel as much as most writers do? Do you think writing a synopsis is inherently evil? Why?

Yes. Why? I find it hard to boil down the whole book to just a few lines. Bane of my existence! If it wasn’t for friends who graciously allow me to bounce various versions off them, I don’t know where I’d be.

If you were to write a non-fiction book, what might it be about?

 Herm….probably something about history…Most likely Medieval and Renaissance history. Or something about the Celts. J I adore them! (And as an aside, I actually wrote a little something about the modern paganism in my Antique Magic series, but it’s only available through my Patreon account)

Do you have any advice to a new author if they asked you whether to pursue the traditional route to publishing or to start out as an independent writer?

Get a team to help you decide what makes a good story, and help you flesh yours out and make it better. Even a beta reader or critique partner is helpful. Learn everything you can—yes, even cover design and (especially!) html and ebook coding. Learn to do everything you can yourself. That way if you lose, or can’t barter with, part of your team or your schedules can’t line up, for whatever reason, you’re not totally screwed. (Hey, life does get in the way! Hello, hurricane season!)

What have you done to market your novel and what did you find the most effective? The least effective?

The least effective? Giveaways. See below. And paid promo. I’ve tried a few different paid ones and never found them worth the money, or let’s put it this way, never made my fee back.

The most effective? Well, I’ve been trying different things lately, so what’s effective might be a combination of a lot of them. I can’t say, really.

I’m sure you’ve read many interviews with your fellow authors. In what ways do you find your methods of creating most similar and dissimilar?

I think we’re pretty much the same across the board, when it comes down to it.

Do you feel your latest book is your personal favorite or one of your previous novels?

Of course I love Frigga, but my favorites? Lady of the Tarot, both for itself and for being my first Audible audiobook.

Having our work out there to be judged by strangers is often daunting for writers. Do you have any tips on handling a negative review?

Just ignore them. Really that’s the best you can do. Anything else might get you in trouble.

Many authors do giveaways; have you found them a successful way to promote your book?

No. Unless it’s a group promo where one can get in front of a larger cross audience I don’t generally find them a useful way to promote.

We all know the old saying; you can’t judge a book by its cover. This is true. However, how much importance do you place on your book cover design?

Funnily, I pay more attention to designing my book covers. But as a reader/buyer? Very little. There are only a handful of books I’ve ever bought because of the cover.

(But I tell you what men with naked chest covers and covers where the woman’s head is cut off drive me insane.[That would be, I’d said, one of my pet peeves]. I will buy a romance novel, but not for that! For judging romance books, I turn right to the back cover)

Every day brings forth new changes and shifts in the world of publishing. Any predictions about the future?

I see covers moving into the gif realm. I’m not sure if Kindle will ever support them in ebooks; I guess we’ll see! More audiobooks might be in the future, too. I had fun making the two I have so far (my two historical romance novels, Lady of the Tarot and Watchmaker’s Heart) so I’d like to see them become more popular. Maybe. I’d love to see holographic novels, but that might just still be a science fiction dream.

Do you have complete control over your characters or do they ever control you?

Most of the time, we have a mutual understanding to work together.

How would you define your style of writing?

 Quirky and unorthodox. 🙂 No. To be a little less succinct, my tagline is “The Enchanted Word” and what that means is I write books that are laced with a little bit of magic, a little mythology…even here and there in my purely historical romances you’ll find a nod to the fantasy realm, now and then.

Have you ever wished that you could bring a character to life? If so, which one and why?

Yes! Gabriel (from Frigga’s Lost Army), and Aaron (from Passion’s Sacred Dance/Celtic Stewards Chronicles—or Isaac from Druid Warrior’s Heart). Because *sigh* they’re my favorite heroes of my bunch. And Caitlin. Man, I’d love to have a best friend like her! J Oh. Wait. I do, actually.

A lot of authors are frustrated by readers who don’t understand how important reviews are? What would you say to a reader who doesn’t think his or her review matters?

They do! So please, if you enjoyed the book, put a review up saying so! (Amazon’s temperamental algorithms aside) It’s important to know our work is being loved—and “word of mouth” helps spread the word to others you think might enjoy the book. And hearing you loved our books can really brighten a writer’s day.

What genre have you never written in that you’d like to try?

 I’d like to try writing a proper cozy mystery. J

Have you ever started out to write one book and ended up with something completely different?

Actually, funnily enough, I had a science fantasy series I was writing, back in 2000 and when friends got hold of it they said it was romance. That was a total knock me over with a feather” moment, let me tell ya!

Do you know anyone who has ever received any auto DM on Twitter (with a link) who was happy about it?

Depends on the link. If it’s a book link and it sounds interesting, I might look anyway. What I really hate? Those auto-verification tweets. Gah! Please, people, turn that stuff off. I also am perplexed by comments that don’t show up because the commenter marks his account private. I haven’t figured those out yet.

What’s your favorite comfort food? Least favorite food?

I love lasagna and …well, Italian food. Least favorite? Yucca.

Have you ever played a practical joke on a friend? Ever had one played on you?

 My little brother used to throw plastic spiders at me, now and then. Does that count?

Care to brag about your family?

 They’re the best. Always been very supportive of my work. J

If you could have one skill that you don’t currently have, what would it be?

 I’d love to be able to paint. Like, really represent life with a brush and oils. When I try to draw or paint, it all comes out like …well? What’s it called? Outsider art. Very amateur. So my main “plastic” art medium (outside writing) is photography. But yeah, I’d love to be able to paint.

What was your favorite year of school? Why?

Junior year in high school. J Because that’s when I met my husband.

If you could add a room onto your current home, what would you put in it?

 Books!! And maybe it’d be nice to have a greenhouse, an extra bathroom…

What’s your favorite film of all times? Favorite book?

 Excalibur would be my favorite movie. Favorite book? Elric of Melniboné or The Warhound and The World’s Pain (both by the fantasy author Michael Moorcock). After that, I’d say the Welsh tome The Mabinogion.

Have you ever walked out of a movie? If so, what was it?

Greystoke: The Legend of Tarzan, Lord of the Apes. This was years ago, so I don’t remember why, right now. A shame because we’d loved Christopher Lambert in Highlander, but Legend of Tarzan was very dull to us, I do remember that.

Do you have any guilty pleasures?

 I’ve been collecting way too many tarot decks lately, for a non-professional reader. It’s the art thing.:)

What are three things you think we can all do to make the world a better place?

Agree to disagree, and practice “If you can’t say anything nice, don’t say anything at all.” That would help, for a start.

What simple pleasure makes you smile?

 Believe it or not, I love it when my garden does well. And ravens make me smile. I always get excited when I hear or see one outside.

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