Linnea Tanner passionately reads about ancient civilizations and mythology which hold women in higher esteem. Of particular interest are the enigmatic Celts who were reputed as fierce warriors and mystical Druids. Depending on the time of day and season of the year, you will find her exploring and researching ancient and medieval history, mythology and archaeology to support her writing. A native of Colorado, Linnea attended the University of Colorado and earned both her bachelor’s and master’s degrees in chemistry.
Time to chat with Linnea!
What is your latest book? Is your recent book part of a series?
My debut book is Apollo’s Raven, was released on April 10th. It is a tale that follows two star-crossed lovers and weaves Celtic mythology into a backdrop of ancient Rome and Britannia. In a story of forbidden love and loyalty, the Celtic Warrior Princess Catrin is caught in a political web of deception when the emperor Tiberius demands allegiance from her father, King Amren.
Catrin is drawn by the magnetic pull she feels for Marcellus, the great-grandson of Mark Antony, who stands in the shadow of his scandalous forefathers. When King Amren takes Marcellus as a hostage, he demands that Catrin spy on him. As she falls in love, she discovers a cure that foretells a future she desperately wants to break. Torn between her forbidden love for the enemy and loyalty to her people, Catrin urgently calls upon the magic of the Ancient Druids to alter the dark prophecy that looms over her.
The historical fiction/epic fantasy is the first book in the Apollo’s Raven series. The series was inspired by the legacy of Cleopatra and Mark Antony but with a Celtic twist. The epic series spans from 24 AD when Catrin and Marcellus first meet to 40 AD just prior to Emperor Claudius’ invasion.
I write scenes both in and out of order. I usually start with a broad outline, but as I write the story, other threads in the plot develop and I may need to write others scene to make everything connect in a logical manner. When I write in multiple points of views, there are times when I write scenes out of order, so I can stay in one character’s head to play the basic plot. Sometimes, I surprise myself and can go in a completely different direction from what I had first planned. This provides twists to the plot.
How often do your characters surprise you by doing or saying something totally unexpected?
My characters sometimes surprise me as I discover more about them when I’m writing the story. At first, I was hesitant to explore the inner essence of the heroine, Catrin, in Apollo’s Raven. She has a darker side that broils to the surface whenever she must overcome life-threatening situations. Her biggest fear is that she could abuse her powers and transform into someone evil like her half-brother, Marrock. Conversely, I added more depth and back story to Marrock, so a reader could relate to him and understand his vile deeds.
Characters must ultimately act consistently according to their true natures and background. Nothing they do should come as a shock to the reader.
Is it important for you to know the ending of a book before you write it? The title?
The title of my book was important to me, because it conveys an image taken from both Roman and Celtic mythology. In the writing process, I am open to changing any part of the story that I had originally planned. Twists in the plot come from moments when I ask myself, “What if I did this instead of that.” When a “wild idea” flashes in my mind, I usually go for it, as it comes from a deeper core of my creativity.
How much research was involved in writing your book? How did you go about it?
In preparation for the series, I did extensive research on the history, mythology, and archeological findings of 1st Century Britain before the Roman invasion in 43 AD. A major challenge researching the Celts is they passed down their history and mythology through oral traditions. Most of my research had to be gleaned from the biased accounts of Greek and Roman historians, medieval writers who spun Celtic mythology to fit their Christian beliefs, and archaeological interpretation. I also visited many areas in the United Kingdom and France that are described in my series. I’ve hiked over 12 miles over the white cliffs of Dover so I could catch first-hand what my characters are experiencing when Apollo’s Raven first opens.
In the story, I wanted to capture the essence of the Celtic noble warrior society. The Greek historian Poseidonius writes, “The Celts engage in single combat at dinner. Assembling in arms, they engage in mock battle drill and mutual thrust and parry, sometimes inflicting wounds.”
In my research, I discovered southeast Britannia evolved differently than Wales, Scotland, and Ireland. After Julius Caesar’s military expeditions to the region in 55 – 54 BC, Rome strongly influenced the internal politics and trading of southeast Britannia. Many of the rulers were educated in Rome as hostages and adopted the empire’s taste for luxuries. Several powerful Celtic kings expanded their territories by conquering other tribes.
There are written accounts that Celtic rulers pleaded for Rome’s help to intervene on their behalf. Recent archaeological findings support a Roman military presence that protected areas of Britannia vital to trading with the empire before Claudius’ invasion in 43 AD. Of note, Shakespeare’s play, Cymbeline, is based on the Celtic King Cunobelin whom the Romans referred as the King of Britannia. One of the plot points in the play is Roman forces invade to restore tribute that Britannia ceased to pay. The play was likely based on oral traditions or medieval accounts in which there were some historical accuracy.
My extensive research sets the stage for the Apollo’s Raven series which spans from 24 AD to 40 AD.
Do you allow others to read your work in progress, or do you keep it a secret until you’ve finished your first draft? Can you elaborate?
I work with a developmental editor and coach. His feedback gives me guidance on how to make the plot or characters’ motivations clearer. I then have a couple of trusted who provide further feedback. If there are any holes in the story, I have a chance to readjust or change sections of the plot as I proceed.
If you were to write a non-fiction book, what might it be about?
It is my hope that I can write a book on how the Celtic tribal kingdoms evolved in southeast Britannia before the Claudius’ invasion in 43 AD. I’ve written several posts on my blog regarding the research I’ve done on the Celts. I would like to use this as a backbone for the book.
Can you tell us about your road to publication?
My road to publication has had lots of twists and turns. After I retired from the pharmaceutical industry in 2010, I began writing the Apollo’s Raven series in earnest and drafted almost three books in two years. After receiving comments from agents and other writers on the first book, I realized that I needed to start the story earlier in Britannia and provide a more comprehensive background of the Celtic culture and mysticism. Thus, Apollo’s Raven is actually the fourth book that I wrote in the series.
With the dramatic changes in publishing, I decided to independently publish my series in 2016 instead of taking the traditional route. However, I wanted to make sure that the quality of my book would match that of traditional publishers. Thus, I worked with the AuthorU organization consisting of established authors and professionals in the publishing business dedicated to helping authors fulfill their dreams. On my journey, I’ve met wonderful writers, authors and other professionals who have generously provided advice and inspired me.
We all know the old saying; you can’t judge a book by its cover. This is true. However, how much importance do you place on your book cover design?
The book cover design is the first impression that a potential reader has of your book. It needs to stand out from the other books and immediately draw a reader’s interest. Thus, I placed high priority on the design of my book, so it looks professionally done. I was very fortunate to work with a fabulous graphic designer who captured my vision of the book cover and designed the interior so it was easy to read.
What are the most important traits you look for in a friend?
The qualities I most value are loyalty, honesty, sense of humor, compassion, and curiosity to learn more.
Care to brag about your family?
My greatest inspiration was my mother who raised five children after my father died. She held me to the highest standards, but allowed me to follow my dreams.
My husband, Tom, is my loyal and supportive soul-mate. He is the reason I believe in love at first sight and true love.
My daughter is the epitome of Catrin—tough-minded and athletic, but has a heart of gold.
My son demonstrated his loyalty and compassion by caring for his wife who died of cancer a few years back, but he gained new happiness by marrying again.
What might we be surprised to know about you?
I finished my bachelor’s and master’s degrees after I married and had two children. I took lessons in flamenco dancing and crafted dried floral arrangements which I sold at an art market in Boulder, Colorado.
What are three things you think we can all do to make the world a better place?
Be respectful of other’s beliefs and cultures.
Be open to new ideas or opinions
Learn from history and don’t repeat the same mistakes.
What simple pleasure makes you smile?
I smile whenever I watch the wonderment on a baby’s face that a balloon can float while everything else falls on the ground.
CONNECT WITH LINNEA